Відео

Not great not bad... meh

I feel your pain and always have since I was 16 first hearing follow the leader. I’m 39 now and it seems like somehow me and John keep living a life parallel to eachother. Not the same but we experience similar pain

😂😂😂😂😂😂

This shit is good❤️‍🔥❤️‍🔥

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this is insane

The song is about a vivid picture of someone who feels abandoned and forgotten, left to battle their inner demons alone. It speaks to the universal human experience of feeling isolated and misunderstood. The haunting melody and intense vocal performance by Davis further heighten the emotional impact of the song, allowing the listener to truly empathize with the pain and anguish being expressed.

The song talks about Jonathan Davis' emotions after the accidental overdose death of his wife, Deven Davis, in August 2018. Jonathan talks about how he still misses Deven and feels he failed her when she needed him the most.

"This Loss" talks about the depression and pain that Jonathan Davis is going through and how the loss is keeping him from being happy again. The loss being the death of his wife.

After the death of Johnathan Davis’ wife, he probably felt very lost and confused trying to find a way out of his depression, but as life goes on it seems to get harder and harder for him to escape it, he might feel the need for help or instruction to get his life together and to move forward. The song talks about how he feels like he’s always the unlucky one, signifying more of the bad things he’s gone through.

The song deals with Jonathan Davis' emotions throughout the years, including the 2018 death of his wife Deven Davis. Jonathan feels imprisoned in his own world with everything he has gone through, from being abused in his childhood to his adulthood trials such as drug addiction, his son Zeppelin being diagnosed with Type 1 diabetes, and the aforementioned death.

"The Ringmaster" portrays the internal struggles of an individual battling their own demons and desperately seeking a way to break free from the darkness that consumes them. Davis has always had a whole bunch of different characters in his vocal range, here we get a high-end register yelp as "The Ringmaster" opens. Musically it’s not a million miles away from the sort of cut we got on 2013’s "The Paradigm Shift" album, with some typically idiosyncratic cymbal work from drummer Ray Luzier. Mid-song Davis loses his shit and goes on a scatting rant, which is always a treat and serves as the songs highlight.

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The lyrical content itself is enough to give you goosebumps, whether or not you are aware of Jonathan's tragic loss. The personification of grief as "it", a child, during the verses, makes it all the more harrowing - this feeling, this ghost-like child, is ever-present and has a life of its own that the vocalist is separating it from himself to try and nurture it and avoid the pain it brings him. "Can You Hear Me" was originally revealed on 14 May 2015 on the UA-cam channel of music equipment company Antelope Audio. The song was initially intended as a solo work by Davis but was eventually included in "The Nothing" after Nick Raskulinecz heard it. Davis told Kerrang: "That was originally one of my solo songs, but the band took it - just like "Take Me" on the last record was one of my solo songs. Nick loved that song, and the band went back, and did it and I really like how it came out. That's one of the songs with 20-something vocals on it. There are so many harmonies that it's like ABBA or some shit. I love it."

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According to guitarist Munky, the title of the song was based on the death of Deven Davis, Jonathan Davis' wife, after a considerably long battle with drug addiction. Many songs on "The Nothing" deal heavily with loss, reflecting Davis' experience with the death with his wife Deven and his mother in quick succession. This is lyrically alluded to in "Finally Free", hinting at someone dealing with what has been described as "perhaps the deepest, most confounding loss of his life". The song is dedicated to Deven and her battle with addiction, serving as an elegy and a celebration of her life due to being "finally free" from the torment. “It’s totally relating to his wife and her death. She went through so much. Him and her together as a family went through so much, and if you know anybody who has battled with addiction, like I have and like so many of us in this band have, you sometimes feel like you can’t shake those demons. She’s finally free, which is essentially how we got the title of the song.“ - Munky

Wtf...... Excelent!!!

"The Seduction of Indulgence" is a metaphor for the temptations of life that can lead to unhealthy habits and choices. The lyrics describe someone taking a risk, being confined, and feeling overwhelmed by the desire to indulge in something. At just under two minutes long, this could be viewed as an interlude in the album, built on a military style drum tattoo and a whole bunch of unsettling electronics. Davis croons for the first minute before seething ‘Killing me, raping me, touching me, stabbing me’ under his breath as the song climaxes. Short, and certainly not very sweet.

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"Idiosyncrasy" is an exploration of life's struggles, as Jonathan navigates through dark and unforgiving times. The song speaks of pain and frustration, as he is forced to confront the futility of his attempts to make sense of his reality. One of the heaviest songs in the recent history of Korn’s back catalogue. Starting with a classic sounding, swirling, mud thick riff attack from Head and Munky, it’s an intense, smash in the face to open the song. Jonathan Davis then enters and quickly showcases the death metal growl he has been perfecting over the last decade, before the catchiest of choruses knocks you sideways. The track's real MVP moment is definitely the mid-section where an industrial riff batters you and JD winces ‘God is making fun of me, he’s laughing up there, I can see’ through gritted teeth.

Echoing the propulsive riffs of songs like "Rotting in Vain" from last album "The Serenity of Suffering" and peaking with Jonathan’s rapid-fire vocal delivery in the bridge, this song is a candid document of grief. It’s like hearing a diary read aloud, as Jonathan asks the difficult question: ‘How does one start healing, the darkness is revealing.’ “That’s one of the questions in my mind,” he tells us. “You just take it a day at a time, it never really does go away. I mean, now I don’t cry every day. I was crying every day forever. But now, a lot of crying, and that helps at least get whatever’s out, but it never really, truly goes away. It sucks.” "The Darkness Is Revealing" poignantly explores the journey of self-discovery, healing, and the necessary pain that comes with facing and accepting one's hidden emotions.

KORN!!!

Extra good,good,good❤❤❤

I'm 14 again!!! 🎉

The Nothing was crafted in the shadow of frontman Jonathan Davis mourning both the death of his estranged wife, Devon, and his mother. Here, Davis recounts his feelings of turmoil and anguish. "You'll Never Find Me" speaks to the inner battles and emotional pain that one can feel, emphasizing a yearning for connection and understanding amidst the darkness.

Great stuff 😊

Epic!

Korn went through major troubles in the run-up to The Nothing album, including the death of Davis' wife, Deven, and a lawsuit over a royalty dispute with their former drummer. This song, which begins with a contorted mass of dissonant chords before descending into something more melodic, finds them venting their feelings. Davis told Kerrang: "'Cold' was about that dark feeling. It's like I'm channeling some dark thing inside of me, that was the vibe. I love how heavy it is and then it gets all fucking happy: 'I'm on my way...' There are so many different types of emotion going on at the same time. I really dig that one."

Awe, how cute.

♡

“The End Begins” is the intro to Korn’s thirteenth studio album, The Nothing. It starts with the sound of bagpipes, which can be compared to the introduction of another Korn album, Issues. This is the first album recorded after the deaths of Davis' wife Deven and mother Holly Marie Chavez, which is reflected in the lyrics of songs such as "Finally Free". This affected Davis during the recording of the album, which he treated as a form of personal therapy. Some of his emotional breakdowns were recorded and ended up on the album, most notably towards the end of the intro, "The End Begins". Davis said about the album: "I went through hell last year and had to purge what I was going through and bring the listener through that experience. I don't know how to explain it, but it takes me over. When you hear me break down and cry, that's not fake. It's how I get it out. Some people go to a shrink. My music is that for me." “I’ve always said I’m not going to keep doing bagpipes every fucking record because it’s expected, or like when I scat,” Jonathan tells Hammer. “I’m like, ‘Fuck no’, because it won’t be special no more. So yeah, I wanted to do a bagpipe intro, kind of inspired by listening to the Issues record that has one. All the pain and crazy shit I went through is in those interludes.”

"Out of You" delves into the complexities of toxic relationships, the internal turmoil that arises from recognizing the need for change, and the difficulties encountered when attempting to sever ties with someone who has a detrimental impact on one's well-being.

"Calling Me Too Soon" explores themes of toxic relationships, emotional manipulation, and self-destructive tendencies. The lyrics portray a complex dynamic between two individuals who are drawn to each other but also aware of the negative consequences of their connection.

"Baby" delves into the struggles of internal battles, toxic influences, and the yearning for redemption. It conveys a deep sense of vulnerability and a desire for relief from the tumultuous emotions.

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"Please Come For Me" is the closing track of "The Serenity of Suffering", this took a long time to get going as vocalist Jonathan Davis hated the song. Brian “Head” Welch recalled to HMV: “He was actually mad at us for writing it, so it took a lot of work and convincing everybody to get behind it.” "Please Come For Me" conveys a message of someone struggling and looking for help. The lyrics suggest the difficulty of dealing with inner demons and the importance of reaching out for assistance when one is in need.

"Next In Line" is a reflection on personal struggle, feeling trapped, and the desire for change or progression. It touches upon themes of self-doubt and the frustration of being caught in an unchanging cycle, while encouraging a sense of self-awareness and questioning whether one is "wasting time" or if they have the potential to be "next in line" for something better.

Let's goooo

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Korn baby

James "Munky" Shaffer - "The song 'When You're Not There', it starts out with this heavy riff and kinda goes into this bit more of a melodic feel. We come up with these different chord voicings that are kind of unsettling. What Jonathan Davis is singing about is kind of like the way he receives and gives love and is different from other people. It's different for me, then it's different for you watching..."

"Die Yet Another Night" seems to explore feelings of despair, self-deprecation, and an intense desire for release from pain and suffering. The lyrics depict a sense of being trapped in a dark and hopeless existence, where the protagonist feels ignored and unwanted by others, symbolized by being labeled a "bad man" and a "dead man." The repetition of these lines emphasizes the protagonist's isolation and feelings of worthlessness.

2nd!!

"Everything Falls Apart" explores the emotional aftermath of a broken relationship, highlighting the disillusionment and personal anguish that can result when trust is shattered and a once-promising connection collapses. Brian "Head" Welch - "'Everything Falls Apart' is a song that me, and Munky, and Ray worked on in the beginning. I think it was the very first song actually that we attempted. When Jonathan grabbed hold of it, it went to another place. I have been through so many things where everything has fallen apart in my life. I mean I can go on and on, my marriage, my band (when I left the band), losing my house and all this stuff. I love the way John took those lyrics and just made it his own. The verses are really emotional and just sounds like a broken relationship or something."

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I wanna game with JD while Korn plays in the background.

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Great collaboration 🤘🤘

<3