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The Metronome And Quill
United States
Приєднався 31 гру 2006
Howdy! My name is Robert Moore. I'm a composer, writer, and perl hacker. I write mostly for strings and string orchestra, and you can download score and parts for most of my pieces from IMSLP. Published works are available from Alfred Music and Grand Mesa Strings (links below).
Please let me know if you have performed any of these works, as I would love to hear/see a performance recording if possible. Thanks!
#!/usr/bin/perl
if (!equality) {
warn, join(all,together), shift, share until $equality;
}
if (!$justice) {
warn, push(@system,struggle), reverse || die;
}
Please let me know if you have performed any of these works, as I would love to hear/see a performance recording if possible. Thanks!
#!/usr/bin/perl
if (!equality) {
warn, join(all,together), shift, share until $equality;
}
if (!$justice) {
warn, push(@system,struggle), reverse || die;
}
AI Realization III: No Need for Gold
It's quite fascinating to observe what this Suno AI tool becomes more adept at doing with each new version. This time around, I apparently gave it just enough of a suitable prompt for it to serve up this *really catchy Anarchist Anthem* which definitely describes a world *I* want to live in.
Переглядів: 18
Відео
Duet #4
Переглядів 215 місяців тому
As short and taciturn as the very first duet from decades ago, this will definitely not be the last duet in this set. However, whatever thought in my noggin these newest duets are all in support of has not yet become clear to their creator. Perhaps it will become clearer with time, perhaps not. In any event, here's a *dodecaphonic miniature* for your Listening Pleasure. Score available at: imsl...
Duet #3
Переглядів 225 місяців тому
A rather stormy minute on the high seas of harmony and rhythm, this duet is ready to accompany you on any journey via land, sea or air - at least for a minute, anyway. Score available at imslp.org/wiki/Duet_No.3_For_Violin_And_Cello_(Moore,_Robert)#Sheet_Music
Duet #2
Переглядів 305 місяців тому
Recently my most *excellent* composer friend Dario Argentesi wrote a Fughetta for Viola and Cello: ua-cam.com/video/PSPcdb9_8Yk/v-deo.htmlsi=vEwCOvZQWYJmK3tp This started me thinking "Say, why don't *I* write a li'l something for two?" So, this past weekend I built this gentle little four minutes of mostly quiet in this Time Of Trouble. As I told Dario, it reminds me of a kind of 'Vivaldi strai...
AI Realization II: Fiber Fuel
Переглядів 196 місяців тому
So, I suddenly realized that this AI tool has the power to generate a bit of humor as I experiment with it. To-day I didn't feel like even writing the lyrics, so I simply told Suno to make me *"An arena-rock Metal Anthem about the benefits of fiber in your diet".* It ended up using its lyrics 2x and basically playing the same song twice, so I clipped it off at its "first ending". I find it vast...
AI Realization I: Youth Is Wasted
Переглядів 306 місяців тому
To-day's *AI Songlet* This time I used Suno.com and, because it allows a much longer song output, it's more like an actual song. I used some lyrics I wrote when I was about 27 years old. I was reflecting back on my childhood moving from place to place across the world with my family as an *Air Force Brat* - yet not having any sort of framework within which to appreciate the cultures I passed th...
23 Caprices For Solo Cello #11
Переглядів 216 місяців тому
Re-uploaded to correct a dumb misspelling. Although I usually work on my music fairly slowly, sometimes *something* lights a large fire under my creative arse and stuff gets done a lot faster. This piece is an example of that. It's a *meditation* on A.C.A.B. As soon as I had that idea, the whole piece started coming together very quickly. Since this entire collection is based on its first openi...
AI Protest Songlet II: The Genocide Joe Singalong
Переглядів 806 місяців тому
As promised yesterday, here's a little *balancing* dose of protest music for Ol' Genocide Joe. Not that it represents actual balance, of course, since Republicans and so-called Democrats are but the two puppets held up by the *One Party Of Business* which rules American politics. But, as always, I try to do what I can where I am with what I have. It would have been better to have had the lyrics...
AI Protest Songlet I: Trump's A Chump
Переглядів 386 місяців тому
So, I was *today years old* when I heard about tools like Udio and realized its power to generate AI Protest Music. I mean, why get a punk band together and rehearse in some smelly garage when you can just give a text prompt and generate something suitably protest-worthy *this very day?* You don't even have to create your own lyrics, however, in the case of this particular 'songlet', it was ver...
23 Caprices For Solo Cello #9
Переглядів 267 місяців тому
Finally: the 9th numbered Caprice is actually the 10th one completed. This one's a bit of an odd duck because I used the formal outline of Bach's Gavotte en Rondeau from the 3rd Partita for Solo Violin, except mine is a Gavotte and Rondeau of Dance Forms. While the recurring *A* remains a Gavotte, any *non-A* section (B,C,D) is a different dance form. First there's an Ambiguous Waltz, followed ...
23 Caprices For Solo Cello #10
Переглядів 478 місяців тому
Where's #9? You may ask..... Well....... *I'm still working on it*. As it turns out, I got a bit bogged down in #9, then decided to make some new *sub-decisions* in how it was going to be constructed. Meanwhile, #10 came together a lot faster and is one of my favorites of the collection so far. This time I took my original three little notes and turned them into a fairly ambitious Theme and Var...
Song For Kathey
Переглядів 188 місяців тому
It was late in 1986. My band and day-job had both just disintegrated, so I was forced to move in with my kind and supportive sister for a few months. Buried in a closet I discovered she somehow owned a not terrible nylon string classical guitar (with a not terrible hard-shell case and everything). So, as a small measure of my gratitude to and love for her, I picked it up and wrote this gentle l...
3 Canons
Переглядів 159 місяців тому
D'oh! Not *that* kind of canon - that's a *homophone*! Anyhoo, this is just some idle *Gebrauchmusik* I had laying around in case anyone needs it. The NotePerformer 4 recording here uses violin and viola, but it's also playable by any 2 other instruments with a suitable range - like in *Howe's 1000 Jigs And Reels* I also decided to use a *Buffet Articulations chacun à son goût* approach and I'm...
The Nearly Great Gate Of Kiev
Переглядів 339 місяців тому
My late great compassionate and super-smart friend David was a skilled and highly experienced bass singer, classical guitarist, and freelance engineer. He introduced me to many wonderful and interesting things - personal computers, for one - and this for another: ua-cam.com/video/bP-kPGZRs2g/v-deo.htmlsi=ZqxAJOTTaBAYLjN8 One day we were hanging out and he pulled this LP from his collection with...
Beethoven: Symphony #5 - Rare 1961 George Szell, CSO
Переглядів 79Рік тому
Beethoven: Symphony #5 - Rare 1961 George Szell, CSO
Mussorgsky: Khovanschina Prelude - Rare 1961 George Szell, Chicago SO
Переглядів 31Рік тому
Mussorgsky: Khovanschina Prelude - Rare 1961 George Szell, Chicago SO
Berlioz: Roman Carnival Overture - Rare 1961 George Szell, Chicago SO
Переглядів 1 тис.Рік тому
Berlioz: Roman Carnival Overture - Rare 1961 George Szell, Chicago SO
Mozart: Marriage Of Figaro Overture - Rare 1961 George Szell, Chicago SO
Переглядів 152Рік тому
Mozart: Marriage Of Figaro Overture - Rare 1961 George Szell, Chicago SO
Popular (Arr. for 4 Oboes & 2 English Horns)
Переглядів 36Рік тому
Popular (Arr. for 4 Oboes & 2 English Horns)
Eleanor Rigby (Arr. for 6 Oboes, 2 English Horns, & 4 Bassoons)
Переглядів 32Рік тому
Eleanor Rigby (Arr. for 6 Oboes, 2 English Horns, & 4 Bassoons)
Joseph Schwantner - Black Anemones 1980 (Dawn Upshaw, Margot Garrett) + Score
Переглядів 132Рік тому
Joseph Schwantner - Black Anemones 1980 (Dawn Upshaw, Margot Garrett) Score
Friedrich Gulda & George Szell: Beethoven Piano Concerto #5 1966 - RARE!
Переглядів 69Рік тому
Friedrich Gulda & George Szell: Beethoven Piano Concerto #5 1966 - RARE!
Holst and Vaughan Williams - Making Music English 2017
Переглядів 5 тис.Рік тому
Holst and Vaughan Williams - Making Music English 2017
A much better execution than most current interpreters.
all my respect for her career and the power to overcome the men’s world and the war. But when I listen to Mozart’s interpretations from that time, I’m very happy about the development of the musicology and the way of playing today. She wouldn’t pass the first round of any Orchestra audition playing Mozart like that.
"playing like that?" Please elaborate and qualify. Not that I disagree. But I want to know what you mean.
Boring.
Schwanter is epic!
Absolutely! - thank you...
I often regret that few young people are exposed to this music. I enjoy much pop music but…it passes … not the great compositions.
The violin concerto is played by Gidon Kremer with an orchestra conducted by Sir Colin Davis. Extracts from Lulu are sung by Kristine Ciesinki and Norman Bailey. I think the Lyric Suite is played by the Schoenberg Quartet but cannot confirm this, as even the usually reliable IMDB does not list this under Kriis Rusmanis who made it for the BBC. If I find out more I shall post it.
Why does our present Regime not produce - and allow to be broadcast - such ENGLISH 'culture-reinforcing' programmes as this? Another excellent programme made for Channel 4, was 'O, Thou Transcendent', on the life of Ralph Vaughan Williams. Our legacy terrestrial Channels now produce nothing but 'reality' dross.
The overwhelmingly beautiful and profound music aside, these two men were never rivals, but shared their love for music and ideas in their enduring friendship.
I think holst gave us something very special, his soul gave so much, no wonder he could give no more
Nice to see Louis Krasner and George Perle in this, that excellent composer Gottfried von Einem. and also the late-lamented Anthony Pople. Some English subtitles would have been nice. Otherwise a fascinating doc. Thank you!
The Berg Three Pieces was one of Boulez' favorite works, one he began performing around 1960. He loved to take this densely complicated work and get orchestras to play it with his trademark order and precision.
BOULEZ = GENIUS!!!
what is this BBC?? Are we trying to center whiteness?? Is England some "white" country now??--- this entire thing...disgusting
Why Berg is the only one of the 2nd Vienna School I I really like. What a sound, what expression and emotion. Complex without being dry and frigid.
Funny enough, he's the only one I don't like!
Elgar would like to have a word with you. But 1 genius does not a musical ilse make.
Straight from Mozart - unbeatable.
I doubt that Mozart would enjoy hearing this concerto played with such a thin & bland tone.
Boring.
Anyone who knows the entire program of the concert for which this rehearsal was made? ok, Berg op6 + Boulez Notations and what was the rest of the program?
EXTRAORDINARY INSIGHTS..it now all makes sense..*** Gorgeous Cinematography** Kudos
49:31 na, wenn des nix war ! 😂
Don’t you just love how patient George Szell is with the orchestra in the gentle opening of this piece?
Stopped the Somerset Rhapsody just before the main tune with the Cellos and double basses
We are a small but an extraordinarily perceptive group of listeners, musicians who ‘get’ this. Thanks for this experience.
Brillante ejecución de la Excepcional Violinista .
This lovely piece not only reminded me that there's always room for cello, but also of the champion butt kicker in all the land who sadly lost a leg in a tragic gardening accident, but he foolishly continued to compete in the contest. This made him very sad, as if he was trapped andante's inferno. He spent his remaining years in a futile search of a cure that would make allegro.
It's hard to resist such an obvious straight line, however political correctness rules the day; although I will never quite see my telephone in the same light, methinks. Unlike in the past, current polls show that jokes in such poor taste are no longer acceptable, and multiple surveys show that the polls are indeed locked on this topic. So one must conclude that this is indeed no laughing matter, and that a poll lock joke would certainly be unacceptable. P.S. I am thinking that if one would attempt to make a joke about a homophone, a _"straight"_ line might not be relevant at all. And if all this makes you suspicious of my orientation, I can assure you I have never been to Eastern Asia; however I must admit I am a bit of a hobophobe. That's why I refuse to hang around the railroad yard eating beans from a tin can, or ride around from town to town in a dirty old boxcar. _(As to trying to crack wise regarding a canon, I decided it might be better to not to give it a shot, or make any reference to Admiral Hornblower in that regard. I am far too busy polishing up the handle on the big front door.....)_
The Boston Symphony Orchestra also did telecasts in this period, but because they were regular concert performances, the cameras were constricted in what they could do, whereas a taping without a paying public gave them more freedom - better for the viewer.
It is sad that whenever Berg and his music is considered nowadays, this is always what's presented as front-and-center to an understanding of his character and his work. Sadly, there is no longer any hope of encountering these wonderful compositions without all this baggage. There is no other composer of whom this may said to be true.
What is 'this'?
@@DenianArcoleo his romance with Hanna Fuschs-Robettin, and the hidden references to her in the Lyric Suite
Her playing moves me so deeply, because the purity of her expressiv phrasing comes much more from the bow than from the left hand. Something that many of todays players have little idea about.
Maybe because her vibrato is so thin and bland…
Maybe necause her vibrato is so thin and unpleasant
@@sebastiandangerfield9933 this 'thin and bland' vibrato fashion comes from Joachim's time. It was typical of German 19th century violin playing and considered essential for a truly classical style. It makes Morini's playing of works by Spohr sound so authentic, as Carl Flesch had pointed out in his memoirs. (unfortunately we have only one live performance of her playing the 9th concerto) The interesting fact is, that in Morini's time we can't hear it being used by anyone else . If you are interested in further examples you'll find plenty of it in Arnold Rose's recordings.
0:50 seriously, shut the fuck up what the hell
he coupled the 5th with Haydn 104.
Thank you for sharing!
Very Interesting video !
Thank you very much for this footage. Morini's recordings are among my favorites for the violin and I only saw one video of her playing until today.
You are very welcome, and I'm glad YT allowed me to share it with you. A friend recently informed me that the Stradivarius she's using here was later stolen in 1995 and is still at large: www.fbi.gov/investigate/violent-crime/art-crime/fbi-top-ten-art-crimes/theft-of-the-davidoff-morini-stradivarius
1. This documentary presents a fascinating contrast between two friends: A. Gustav Holst peaked early in his short life with The Planets for which he is primarily known. B. Ralph Vaughan Williams slowly advanced in recognition throughout his long life with a seemingly endless parade of compositions in many different musical forms. 2. Although RVW dedicated his most performed symphony, No. 4 in F Minor, to Arnold Bax, its 1935 premiere took place one year after Holst's sudden death. Unlike the somber resignation of the Pastoral Symphony towards the WWI dead, the vehement rage of the 4th Symphony may have been fomented in RVW's grief and loss over his dear friend, perhaps resonating in the original primal loss of his father. 3. 57:15-25: 'Vaughan Williams wrote to Holst's wife and daughter, "My only thought, whichever way I turn, what are we to do without him?" Response: Enter Ursula Wood in 1938, whose muse-like presence ignited the domestic drama that propelled RVW's inspiration for his later period compositions. 4. At the end of his life, did RVW's thoughts turn to Holst via Thomas Hardy when composing his 9th and final symphony? A. Hardy's The Return of the Native inspired Holst's Egdon Heath, named for both the fictional place and actual heath where both had walked together when the composer visited the author. B. Scenes and characters from Hardy's Tess of the D'Urbervilles were explicitly referenced in the original sketches for RVW's 9th Symphony in E Minor, but were later withdrawn prior to publication.
Szell kvetched about Nikisch. (Chuck Klaus told me some 30 years ago from Liverpool, NY.) Think of it?
Going through the bottle.
I moved to Edinburgh several years ago having grown up in Bristol and attended college in Bath. This makes me so homesick for the West country! Love this programme. Thank you so much.
You are SO welcome!
The Top! Thank you!
Enjoy!
informative, interesting and delightfully presented by these two . Very good indeed !
I thought so too when I found it. I am glad that YT is still letting me share it with you nice folks.
❤❤❤❤
A very beautiful film,about these two Giants of British Music.
This man was a true genius
Wonderful to watch Pierre rehearse Berg w/ VPO. The "Three Pieces", op. 6 are Berg's big homage to Mahler, especially the MARCH. At 28:46, there's the Mahler 6th/ 3rd Movement violin passage (right before the E Major in Mahler), and a Mahler "mini-Hammer" at 30:15. Totally nuts.
Wie peinlich, was die Trompetengruppe da abliefert! Die Stellen sind überhaupt nicht vorbereitet und sie schaffen es nicht ab 21:26 auch nur ein einziges mal zusammen einzusetzen.
Absolut !!!
Die Trompeten sind durchweg der Horror. Geht schon bei ca. 13:00 los. Von irgendeiner Blaskapelle abgeworben ?? 😅
Ich habe früher Geige als Laienmusiker in Laienorchestern gespielt. Ich habe niemals an eine Musikkarriere gedacht, denn ich war tiefst überzeugt, nicht gut genug zu sein. Deshalb habe ich eine technische Karriere gemacht und nur noch aus Spaß gespielt. Nicht vorbereitete Stellen kamen häufig vor, bei vielen Musikern, aus irgendwelchen Gründen: Keine Zeit zu Üben, Klausuren am nächsten Tag, musste spät abends arbeiten, oder was auch immer... Als Nicht-Profimusiker hätte ich aber nie gedacht, dies würde auch unter Profimusikern aus Prestige-Orchestern vorkommen! Aber um fair zu sein: Ich schätze mal, man habe den Burschen in der letzten Minute aus Not geholt, weil die 3. Trompete krank sei, und er solle ihn ersetzen, und in einer Stunde sei die Probe avec le chef Pierre Boulez! Dies soll häufiger vorkommen, als man denkt! Herr Kapellmeister Christian Thielemann - er nennt sich selbst so, denn er mag den Namen "Dirigent" nicht sehr - erzählte in einem Vortrag, dass Musiker fürs Konzert oder gar für die Oper am gleichen Abend geholt werden, um Werke vom Blatt zu spielen, die sie nie zuvor geprobt haben! So nach dem Motto "Hol dir eine CD und frage einen Kollegen, wie die Stellen zu spielen sind!". Orchester haben sowieso immer weniger Zeit, zum Proben! Maestro Riccardo Muti hat sich mehrmals drüber beschwert...
The Malvern Hills walk photo reminds me of Pooh and Piglet.
I think you mean Ashdown Forest.
31:18
Wow
Just a small correction to the english translation with regards to the names of the notes. Around 13:10 he doesn't say "fes", which would be f flat, but rather "fis" which is f sharp. Again around 14:09 he says "gis" which is g sharp and not g flat. G flat would be ges. And then around 20:28: he says "cis" and "fis" which again are c sharp and f sharp, respectively. C flat would be ces.
Thank you. The original subtitle text was used as found in the original file. I have made corrections.
13:08 sick...