Відео

To my ears, measure 41 , 4th note is a B natural. Nice transcription though!

bar 89 2:08

THE MASTER, MASTER!

Probably the most complete solo ever recorded

wow thanks

The best

There are some critical errors in there tho

it's B natural at measure 41 (1:01), at measure 59 its' also wrong

0:35

That line at 1:11 is straight fire.

Is it just me or does it sound like Night In Tunisia at 3:14

Terrific!!

I read this as very easy and had a panic!!!!

Wow, this is one of the super-powerful solos by the alto sax giant, Cannonball Adderley. Those who study scales, modes etc. on improvisation are really missing a lot. Keep up the good work, Thanks.

Good transcription! Love the work!

Eb transcription for a Bb instrument? And why no key signature?

What album is this from?

Show.

Love this tune.

Класс!!!!!!!!!!!!!!🎉

😮

Soooo damn good!

Most underrated sax player ever. What a gem man!

can you share a link to download this pdf? would love to have it!!

What a job , congrate !

0:23

Remember him well on Lewis Jones Big Band records

1:33

0:38

Amazing!

Pure genius!!!!!

I just listened to a 10h European podcast radio show on Sonny Rollins (yes, 10x 1h, covering 1951-2001 !!!). My opinion of Rollins is that it seems very overrated to me. First of all as a player, he does not seem to me better than Johnny Griffin, Stitt, Roland Kirk, Phil Woods, Lateef ... but enjoys a much more important reputation ... and unjustified in my opinion. Ok he plays well, but not better than the musicians I mentioned. In terms of composition, he did not compose anything, everyone knows that St Thomas is a Caribbean folklore already recorded by Randy Weston in 1955 under the title Fire Down There. His other compositions from the 50s ... well, Oleo, Airegin etc ... this can in no way be compared to the compositions of Trane, Bird, Monk or Shorter ... also, his playing and his sound are terribly degraded after 1966 (36 years). It seems that he was traumatized by the arrival of Ornette, Trane, Ayler ... In the 60's he tried to be more free than Ayler, more calypso / blues than Ornette, and more mystical than Trane, but he didn't. did not succeed. Then in the 70s / 80s he tried to be funky, disco ... with really ridiculous and cheesy results ... Did he want to be funkier than James Brown himself? Also, in the radio show they say that he was paid current $ 300,000 for himself to record the Nucleus album (so listen to the result !!!!), and that, for his concerts, his financial claims were unrealistic, only the big festivals could afford it. He played with the Stones but didn't want to go on tour with them because, according to Jagger himself, he wanted too much money! I mean, I'm not making anything up here. In my opinion, he should have remained what he was before, a disciple of Bird at the Tenor, and quit at the age of 40 to leave a quality job, and without trying to follow fashion. Thank you for not insulting me because I have documented myself on Rollins and I like to have constructive discussions without being attacked on my person.

Merci ! 😊

Every chorus is a world. Dexter!

Can you please synch up video with audio?

Awesome! Thank you

0:25 0:34 1:11

0:39 Dex used in Lady Bird and Wave 1:42 is also used in Wave, its a flight of the bumblebee quote There's probably more but I haven't listened to all of his solos

this is fire yo

Couldn't be more awesome! Love the scrolling. Perfect song for intermediate players. Not too fast.

How can I get a copy of this transcription?

La migliore trascrizione di Dexter Gordon "Blue Bossa"

good old dexter..big dramatic tones..cool as hell..effortless genius..

Great transcription but meausre 41 isb natural

Máster Sonny like always Thanks for share!!!

Another "Master" lesson in improvisation by SR

bar 86, make the first 3 top notes a triplet and insert an F between the A the Db for full effect, this is a great riff!

thanks. i am doing a university course on jazz improvisation and playing Blue Bossa this week, very helpful

Thank You!!

love the line he plays at 2:02 over the minor 2-5-1