- 4
- 8 047
precipota2
Приєднався 19 вер 2021
i shid
bad improvisation
crappy piano improv from july 2021 that i still listen to a lot for some reason (i'm a narcissist). i like the section with a lot of seconds around 3:27, you can tell i was going through an Ohana phase. the beginning is kinda cheeks tho
Переглядів: 11
Відео
LE SSERAFIM (르세라핌) 'Eve, Psyche & The Bluebeard's wife (feat. Ke$ha)'
Переглядів 242Рік тому
Connect with LE SSERAFIM OFFICIAL UA-cam ua-cam.com/channels/s-Q.html... OFFICIAL INSTAGRAM le_sserafim OFFICIAL TWITTER le_sserafim OFFICIAL JAPAN TWITTER le_sserafim_jp OFFICIAL FACEBOOK official.les... OFFICIAL WEVERSE weverse.onelink.me/qt3S/t2ra8uwj OFFICIAL TIKTOK www.tiktok.com/@le_sserafim OFFICIAL WEIBO weibo.com/LESSERAFIM OFFICIAL B...
Tristan Murail - L'œil du cyclone (2022)
Переглядів 8 тис.2 роки тому
Tristan Murail - L'œil du cyclone, Fantaisie-impromptu pour piano et orchestre (2022) François-Frédéric Guy, piano Orchestre Philharmonique de Radio France, Brad Lubman This recording is of the world premiere on February 13th, 2022, part of the final concert of Festival Présences 2022. Audio source: www.radiofrance.fr/francemusique/podcasts/le-concert-de-20h/festival-presences-2022-12-l-orchest...
Nikolai Roslavets - Piano Trio No. 2
Переглядів 1113 роки тому
Nikolai Roslavets - Piano Trio No. 2 Trio Fontenay
Hearing new works by this legendary composer is a singular experience; it's something pulled from the ether, yet Murail's voice is as enthralling now as ever.
what amazing piece!!! I enjoy it very much!! Marvailleuse!!!
What a full-bloodied, intensive and brilliantly sounding piece! It was somehow even cinematic, but in a very good sense of the word!
I was at this premiere and it was a fascinating experience! Inspiring work. (I still think that the triangle in the end does not belong to the piece.)
along with esprit des dunes, one of his more "accessible" pieces.....almost cinematic.
yes.
this sucks
yes
Get it omg
🖤
Very scary
thanks for posting this!
台風の目 マンデルブロ
スペクトル楽派が一定の業績を残して、ポストモダン以降の現代音楽で旗印であった事は認めるが、その後の停滞と衰弱ともとれる実情の旗印でもあることも否定できない気がする。昨今の折衷的で要領の良い口当たり良い現代音楽の質感の要因となった原因は近藤氏が嘗て指摘していたイデオムの不明瞭さ(曖昧さ)にもあるのかもしれないが、正にこの曖昧さがこのスペクトル楽派の魅力でもあり、もしかしたら現代音楽なるものは最早タルコフスキーの「ノスタルジア」ラストの如く、空々しい紙吹雪が舞い降りてくる、空白の未来しか残されていないのかもしれないと鬱の気分になる。暴言多謝
What do you suggest instead?
Thank you for this.
Amogus
lmao
LMFAO
oh hello
Subbed, but I doubt this is going to work