Відео

天才すぎる

この曲は日本のアニメで最も素晴らしいエンディング曲です

I'm always searching, searching for something or someone, this feeling has possessed me ever since that day, the day when the stars came falling, it was almost as if, as if a scene from a dream, nothing more, Nothing less than a beautiful view

いやー 涙出たわ😂

サビの唯がかわいすぎるよな

Even these storyboards have better Proportions than My Drawings LMAO

内部にあずにゃん過激派が居たのは確定

Catherine Cavadini as Doremi Harukaze Andrean Libman as Hazuki Fujiwara Isabela Moner as Aiko Senoo Elsie Fischer as Poppu Harukaze

this op makes me so sad

1:16 My personal favourite moment of the opening. Notging more, but only "Daisuki!"

ここから原画→動画になる流れ？アニメーターさんってホント凄い

回るのすげー

Brooooooo this is so nostalgic. I was a high school student - same age as the girls - when K-on aired... I was iffy about KyoAni but then came Clannad and K-on and the whole funny effort of animating Endless Eight and I was sold around this time lol I love this excessively ..

Юи такая смешная прям ваще

0:37

今見てもヌルヌル動いてるな… オーパーツにも程があるだろ…

last episodes of the series is also depressing...

Probably the most drastic and epic one. Nothing in the storyboard ever implied the chorus and instrument playing had to be that detailed in motion. Also, the fact that the Ui scene was supposed to be her climbing the stairs as opposed to in the kitchen cooking. My fav was probably the part where the finger wiggle during the "No No No" part is mandated

Русские "что это такое? " Также я тоже русский "легенда"

明るいけどどこか切なさを感じるんだよな〜 最後の唯が手開いて放課後ティータイムのマークが描かれてるとことかウルってくるほんとに

I love how all the openers are Yui led garage band songs while the closers are Mio led refined pop songs. Someone thought WAYYY too much on it and we should really thank them.

это второй опенинг

1:16 Love how in the previous OPs, it's just still shots of Sawako and the others, but here, in the last stretch of the anime, they've decided to have HTT hug them and give them their thanks as Yui repeats "I love you"

I think one of the many, MANY reasons Kyoto Animation and Yamada Naoko in particular are always associated with high quality anime is cause they focused on (1) clear silhouttes and (2) putting personality in every movement, like you'd see in K-On!. Like, thats what they focused on first. Then, as more and more talents and techniques are appearing in animation, you'd see how linework and consistent details improved in their later anime, cause they have an established rule: personality > pretty but flat characters.

1:16 Tatsuya Ishihara: "We'll make it sunset. It'll look better." That man and his use of lighting. Don't get me started on the spinning club room scene with the falling light coming in through the western windows.

当時は終わりが近づく感じがして好きに慣れませんでしたが改めて名曲ですね。最後のコーラスが凄まじく美しいからよく聞いてみて！ どうか安らかに。

the bass guitar is by far the cleanist sound 💪

I love mugi's keyboard

Este ed siempre me puso triste. Saliendo que seria la última temporada animada de k-on! 😢😢😢

ほんとに、めちゃくちゃ面白かったし泣けるしで最高だよ

I am absolutely appalled that this film was not even nominated at the 2017 Oscars for Best Animated Feature. Only after rewatching it and appreciating the Shinto themes and plot, I realized it's genius and a masterpiece. I enjoyed "The Place Promised in Our Early Days" but after watching this this became my favorite Shinkai film. I compared it with "Weathering with You" and IMO this film was way better. Albeit I saw some holes which baffled me like why Taki and Mitsuha didn't realize early on that their timelines were separated by 3 years, when they were writing their journals on their smartphones each time they switch bodies. They should have realized it from the start when checking their calendars. And the scene where Mitsuha's notes and journals got deleted automatically in front of Taki's eyes when they went to the Itomori crater site also confused me. Also, it also didn't make sense where Taki woke up at the rim of the crater when he got frustrated he forgot Mitsuha's name, he suddenly woke up in an alternate continuity where Mitsuha and the Itomori residents survived the comet impact. Otherwise, it's a great film. Although Shinkai himself felt that it was not perfect.

1:18 Ritsu

Mugi's sounds cute, and Mio's in the last part is conquering the show.

0:20 poor ritsu.

2:01 Wow that would have made it so much sadder

Have to appreciate the amount of work to express in a storyboard, that you want the camera to go around the characters, and the characters to turn to see to the camera when they have it in a comfortable angle. Crazy stuff there

Fun fact: at 1:24 the girls are perfectly lined up so their surnames spell THANK! Tainaka Ritsu Hirasawa Yui Akiyama Mio Nakano Azusa Kotobuki Tsumugi

1998

1999

0:22 1:19 0:23

ＨＴＴForever❤

「はっ！」好きすぎる

史上最高のエンディングの1つ👍

I wish the song was longer than two minutes.

Wow, the whole opening is in their heads before they put it all on paper. Thats crazy imaginative.

this sounds like an Overlord op

I think is one of the best bishojo animes !

Creo que en el story board makoto shinkai ya tenia planeado dejar al prota sin su waifu xdd

持ち手逆だった！

0:01 0:10 0:23 0:28 0:33 0:39 . 0:43 0:48 0:54 0:59.. 1:04 1:09 1:15 1:18 1:20 1:22