# MEDIA (Vinyl/LP)
□ Title: VIII. COMMUNIO: LUX AETERNA (REQUIEM K.626)
□ Composer: WOLFGANG AMADEUS MOZART (1756-1791)
□ Singers:
• SIMONE KERMES (soprano)
• STÉPHANIE HOUTZEEL (alto)
• MARKUS BRUTSCHER (tenor)
• ARNAUD RICHARD (bass)
□ THE NEW SIBERIAN SINGERS
• THE CHAMBER CHOIR OF THE NOVOSIBIRSK STATE ACADEMIC OPERA AND BALLET THEATRE
● VYACHESLAV PODYELSKY (Conductor)
• [SOPRANOS] GANA BARYSHNIKOVA, NADEZHDA KOKAREVA, ELENA KONDRATOVA, ALLA LEBEDEVA, MARGARITA MEZENTSEVA, ARINA MIRSAETOVA, VALERIA SAFONOVA, LUBOV SKURIKHINA, ELENA YURTCHENKO, NATALIA ZARIEVA
• [ALTOS] EKATERINA BATENEVA, MARIA KLENOVA, NINA NIKITINA, ANNA PENKINA, ELENA ROGOLEVA, ELENA STOLPOVSKIKH, MARINA TENITILOVA, LUDMILA TUKHAEVA, ANNA SHVEDOVA
• [TENORS] DMITRY VESELOVSKY, ALEXANDRE ZVEREV, EVGENY MYSKOV, VASILY NOVIKOV, PAVEL PALASTROV, EVGENY RYMAREV, VLADIMIR SAPOZHNIKOV
• [BASSES] ALEXANDRE BEZRUKOV GENNADY VASILIEV, EVGENY IKATOV, SERGEY MEZENTSEV, ALEXANDRE NAZEMTSEV, VITALY POLONSKY, SERGEY TENITILOV
□ Orchestra: MUSICAETERNA
• THE CHAMBER ORCHESTRA OF THE NOVOSIBIRSK OPERA
□ Conductor: TEODOR CURRENTZIS
• [VIOLINS I] INNA PROKOPIEVA, ELENA RAIS, IVAN PESHKOV, ARTEMSAVTECHENKO, NADEZHDA ANTIPOVA, AFANASY CHUPIN
• [VIOLINS II] YULIA GAIKOLOVA, EKATERINA ROMANOVA, LIANA ERKVANIDZE, DINA TURBINA VIOLINS II
• [VIOLAS] EVGENIYA BAUER, DMITRY PARKHOMENKO, OLEG ZUBOVICH, VALERIA SVETLOSANOVA
• [CELLOS] ALEXANDER PROZOROV, EKATERINA KUZMINYKH, IGOR GALKIN, YURY POLYAKOV
• [DOUBLE BASSES] DMITRY RAIS, DILYAVER MENAMETOV
• [TIMPANI] SVYATOSLAV KARAGEDOV
• [TRUMPETS] LEONID GURIEV, PAVEL KURDAKOV
• [BASSOONS] FLÓRA PÁDÁR, ALEXANDER GOLDE
• [BASSET HORNS] FLORIAN SCHÜLE, SEBASTIAN KÜRZL
• [TROMBONES] MATTHIAS SPRINZ, RALF MÜLLER, CHRISTINA HESS
□ Album: WOLFGANG AMADEUS MOZART - REQUIEM K.626
• 1,500 LIMITED EDITION
• Recorded in February 2010 at the OPERA NOVOSIBIRSK (RUSSIA)
• ALINE BLONDEAU (RECORDING PRODUCER & EDITING)
• HUGUES DESCHAUX (SOUND ENGINEERING & MIXING)
• MARY PARDOE (ENGLISH TRANSLATION)
• SILVIA BERUTTI-RONELT (GERMAN TRANSLATION)
• DIDIER MARTIN (DIRECTOR)
• LOUISE BUREL (PRODUCTION)
• AMÉLIE BOCCON-GIBOD (EDITORIAL COORDINATOR)
• ALPHA 468 ⓟ ALPHA PRODUCTIONS 2010
• Ⓒ ALPHA CLASSICS / OUTHERE MUSIC FRANCE 2019
• MADE IN FRANCE & CZECH REPUBLIC
# ASSOCIATED EQUIPMENT
□ Cartridge: Koetsu Onyx
□ Tonearm: SME V
□ Turntable: Kenwood L-07D
□ Step-up transformers: Peerless K221Q
• Altec / Peerless K-221-Q
• DIY Wiring & Casing
□ Phono-amp: Audio Research Reference Phono 3 Phono-stage
□ Pre-amp: Audio Research Reference 5 SE Line-stage
□ Amp: Audio Research Reference 250 Monobloc Power Amplifiers
□ Speaker: ATC SCM150 PSLT
□ Cables: Jorma Design Phono Reference, Van den Hul, WireWorld, Kimber, MIT, Neovox, Neumann, Western Electric and custom cables
□ Racks/Accessories:
• HIFISTAY Mythology Audio Rack
• Hotdog Isolation Platform
• Powertek Automatic Voltage Regulator
• Silverback Audio Power distributor
• Hotdog Stabilizer, Pure Copper/Carbon Turntable Mat and Insulators
■ The video I posted on UA-cam was recorded on my mobile phone (Samsung Galaxy S24 Ultra), so the sound quality has greatly degraded, therefore, don't expect hi-fi sound quality from this video.
I don't want to infringe the copyright of music. So I don't directly extract (rip out) music from LP or CD media, nor do I directly upload downloaded streaming music.
This video is just for validating the synergy of the instrumental combination of audio devices and referencing the nuances of music playback.
The actual sound with my audio system is much better than the recorded sound in this video.
■ This video was uploaded to this UA-cam repository for my audio system's matching test for the devices and parts. And I shared it in accordance with relevant laws for fair non-commercial use.
■ If you listen to this music with headphones or earphones, you can listen to it more accurately in terms of sound quality. Also, if you press the gear button on the top right of the UA-cam screen and choose 1080p or 720p instead of automatic playback quality, you can listen to it with better sound quality.
■ All copyrights belong to their respective copyright holders.