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Gregory Wada
Приєднався 12 лют 2014
This is a channel mostly about interactions with the physical word - music shared between players, records of events for future study, little moments of ethnology or autoethnography. I am a taiko player and anthropologist. If you've found these videos on the web, they're often part of a project or group study among people in interaction, so they may lack context. If they are of any use to you, though, I'm happy for that and I always enjoy hearing from people from around the world.
“Stay the Center” - writing a song in conversation with submitted lyrics
Last weekend, Frank, an (adult) student in one of my taiko classes, sent me some song lyrics in response to music I had on UA-cam with the idea that we could have a conversation. As he said in his last email, "In the old times, people didn't talk, they sang instead, like in the Bhagavad Gita."
With Frank's permission, I've taken one set of his lyrics and composed a song in conversation. In this video, I'll show the song and then briefly break down how I arranged his lyrics and approached setting it to music.
It was a fun creative challenge starting with someone else's lyrics and writing a narrator with a unique point of view. It's not a song that I would have come up with on my own, and it's a good reminder of why collaboration is so valuable and how we don't always need our poetic narrators to be "ourselves." We learn and grown by sincerely engaging with others.
Thanks for taking the time to engage with my music, Frank, and I hope this song shows serious engagement with yours. Please keep it up and keep making music!
---
"Stay the Center"
Song by Gregory Wada with lyrics by Franklin LeelaBeing and Gregory Wada
[Verse 1]
I used to travel endlessly to distant times and lands,
Above the earth, the stars, the tides, when did it all begin?
My mind has floated ceaselessly, in dreamless, sleepless skies.
But maybe, I’ll touchdown, in the present for a while.
[Chorus]
Stay the Center, I have vowed to keep my balance
In this endless, shifting line of code. I’m thinking now that
Human knowledge is so ripe for exploitation,
So I choose to stay here in the now.
[Verse 2]
A winter’s day, the sun outside, inside its warmth, I did confide
I fell asleep in cozy sofa's hold.
In dreams I travel, thoughts unfold, a floating island, tales of old,
I’m suddenly in castles in the air.
But waking brings me back to see,
Just another lonely night.
I used to think that I was free but
Now I think I might just
[Chorus]
Stay the Center, I have vowed to keep my balance
In this endless, shifting starry night. I’m thinking now that
Human freedom is just the road untaken,
So I choose to stay here in the now.
[Bridge]
There was a time the Earth stood still
And there was a simple explanation.
I wondering if we ever will
Find our way back home, for now I’ll
[Soft Chorus]
Stay the Center, I will keep my balance
In this endless night of human exploitation
I will guard my freedom by staying in the present
I will live on the here and now.
[Chorus]
Stay the Center, I have vowed to keep my balance
In this endless, shifting line of code. I’m thinking now that
Human conscious can’t be so far forgotten,
So I choose to live here in the now.
Life’s a gamble, and unless I’m mistaken
We will choose to live on in the now
We will choose to live on in the now
--
0:00 - Intro
0:24 - Song Demo
4:09 - Lyrical Arrangement
6:00 - Arranging Music, Verse
7:30 - Arranging Music, Chorus
With Frank's permission, I've taken one set of his lyrics and composed a song in conversation. In this video, I'll show the song and then briefly break down how I arranged his lyrics and approached setting it to music.
It was a fun creative challenge starting with someone else's lyrics and writing a narrator with a unique point of view. It's not a song that I would have come up with on my own, and it's a good reminder of why collaboration is so valuable and how we don't always need our poetic narrators to be "ourselves." We learn and grown by sincerely engaging with others.
Thanks for taking the time to engage with my music, Frank, and I hope this song shows serious engagement with yours. Please keep it up and keep making music!
---
"Stay the Center"
Song by Gregory Wada with lyrics by Franklin LeelaBeing and Gregory Wada
[Verse 1]
I used to travel endlessly to distant times and lands,
Above the earth, the stars, the tides, when did it all begin?
My mind has floated ceaselessly, in dreamless, sleepless skies.
But maybe, I’ll touchdown, in the present for a while.
[Chorus]
Stay the Center, I have vowed to keep my balance
In this endless, shifting line of code. I’m thinking now that
Human knowledge is so ripe for exploitation,
So I choose to stay here in the now.
[Verse 2]
A winter’s day, the sun outside, inside its warmth, I did confide
I fell asleep in cozy sofa's hold.
In dreams I travel, thoughts unfold, a floating island, tales of old,
I’m suddenly in castles in the air.
But waking brings me back to see,
Just another lonely night.
I used to think that I was free but
Now I think I might just
[Chorus]
Stay the Center, I have vowed to keep my balance
In this endless, shifting starry night. I’m thinking now that
Human freedom is just the road untaken,
So I choose to stay here in the now.
[Bridge]
There was a time the Earth stood still
And there was a simple explanation.
I wondering if we ever will
Find our way back home, for now I’ll
[Soft Chorus]
Stay the Center, I will keep my balance
In this endless night of human exploitation
I will guard my freedom by staying in the present
I will live on the here and now.
[Chorus]
Stay the Center, I have vowed to keep my balance
In this endless, shifting line of code. I’m thinking now that
Human conscious can’t be so far forgotten,
So I choose to live here in the now.
Life’s a gamble, and unless I’m mistaken
We will choose to live on in the now
We will choose to live on in the now
--
0:00 - Intro
0:24 - Song Demo
4:09 - Lyrical Arrangement
6:00 - Arranging Music, Verse
7:30 - Arranging Music, Chorus
Переглядів: 27
Відео
Doshin Matsuri - Koyasan Spirit of Children Taiko
Переглядів 11314 днів тому
Example performance and reference video for Doshin Matsuri, a song I wrote for Koyasan Spirit of Children Taiko, performed by the Kongo Gumi class. We'll use this as the reference video for now until we can get a better recording. Structure: A - B - F1 - B - F2- B - F3 - T - A - B - A Features are (1) chu, (2) odaiko/okedo, and (3) shime/okedo. When adding the narimono feature, it goes immediat...
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Hiromu "Bill" Wada (my grandfather) describes traditional and contemporary New Years foods at the family home in Orange County, California. A transcript follows. For many Japanese Americans, New Years Day is an important holiday, characterized by the eating of symbolic and traditional foods. These foods include ozoni (mochi soup) and osechi (seasonal vegetables served in box). Grandpa Bill was ...
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Ho Ho Ho from the @DucksoftheWorld We had about 30 minutes left in a jam session and threw together a quick arrangement of this classic Elvis Christmas song. Wishing everyone a happy holiday season, uh huh huh. Original Song: "Santa Bring My Baby Back (To Me)" by Aaron Schroeder and Claude Demetrius. Recorded and popularized by Elvis Presley, appearing in "Elvis' Christmas Album" (1957).
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Kongo Gumi performs for the Idemitsu end-of-year party on Dec 13, 2024, where our performing member Jon works. We are performing background music to the social event happening inside the restaurant, which is why we are facing the glass wall, but also the people who came outside to watch. It was a bit windy, but the rain let up the afternoon of our performance and started again right after we pa...
Hollow Halloween (Original Song)
Переглядів 21Місяць тому
In October, my friend Henry came over and we wrote a Halloween song de novo, starting from scratch and building up a song in mostly a single session. (I lost some recordings and we didn't quite finish, so I added the box guitar the next day.) The "music video" was filmed just after Halloween with a Jack O' Lantern that Lisa and I carved. It's a single take and the touch sensitive lamp is being ...
Waiting for a Change (Original Song)
Переглядів 225Місяць тому
Waiting for a Change [verse 1] They say the cart will follow the ox, They say every Cheater will get caught. It’s tried, and it’s true, But I’ve been hoping for something new, I’m so tired Of waiting for a change. [verse 2] He says he’ll build a wall to keep out the poor, So hunger won’t haunt us anymore. It’s cruel, and it’s mean, But it ain’t nothing that we haven’t seen, I’m so tired Of wait...
Go for Broke (Suzuka Kawaguchi @ 2024 Taiko Taikai)
Переглядів 1997 місяців тому
Performance of "Go for Broke" by Tiffany Tamaribuchi in the General Division of the 2024 Taiko Taikai in Little Tokyo, Los Angeles. Thank you to Viola Lee (left footage) and Morgan Asher (right footage) for recording the performance. Shared with permission by Suzuka Kawaguchi.
Go for Broke (2024 Taiko Taikai)
Переглядів 4588 місяців тому
Performance of "Go for Broke" by Tiffany Tamaribuchi in the General Division of the 2024 Taiko Taikai in Little Tokyo, Los Angeles. Thank you to Viola Lee (left footage) and Morgan Asher (right footage) for recording the performance.
Taiko performance at 2024 Sierra College Empowering Asian Students Graduation
Переглядів 778 місяців тому
About a week before this performance, my old friend Issa let me know he would be in town, and I asked if he would join me for a performance. It's been years since we played taiko together, but it felt like old times to be back at it again. We drove to the gig in the same car with the same paint stains from back when he held down the oversized lumber hanging out of the open trunk to make our flo...
2024 Florin Manzanar Pilgrimage - Walking Tour of Manzanar
Переглядів 1078 місяців тому
Compilation of footage from a walking tour of the Manzanar National Historic Site during the 2024 Florin Manzanar Pilgrimage on April 27, 2024. The Florin Manzanar Pilgrimage is a joint effort of the Florin Japanese American Citizens League Sacramento Valley and the Center for American-Islamic Relations Sacramento Valley/Central Valley. Since 2006, these organizations have teamed up to educate ...
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Performed on April 27, 2024 at the 55th Annual Manzanar Pilgrimage. Lantern Song was commissioned by the Buddhist Churches of America (BCA) for their 125th anniversary. Link to official music video: ua-cam.com/video/yZMJ39gNHU0/v-deo.htmlsi=2dmXEw6nmLaZglOG Interview with Sydney Shiroyama on Taiko Community Alliance webpage: ua-cam.com/video/pWyZzSyoRck/v-deo.htmlsi=vvAtj5pjQosz2R-K
"Zoku" (Eto, Kodo) performed by Koshio Gumi at Arizona Matsuri (2024)
Переглядів 5649 місяців тому
"Zoku" performed by Koshio Gumi This is the second part of an arrangement of “Zoku” performed by Koshio Gumi on February 24, 2024 at the Arizona Matsuri, starting with a kuchishoga call and response with the audience. The syllables of the food names mimic the beats of the drum part. コーヒー牛乳 アイスクリーム (はっ)ポテトチップス コカコーラ The young kids in the audience were really good at the call and response! "Zoku"...
2024 Arizona Matsuri - Taiko Compilation
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A compilation of taiko performances from the 2024 Phoenix Arizona Matsuri made for the Taiko Community Alliance (TCA). I had the honor of attending the Matsuri and helping run a TCA booth, our first time at the event. On this trip, I also visited the Phoenix Convention Center and scouted out locations for the North American Taiko Conference (NATC) being held in Phoenix in 2025. I was very impre...
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Instructor Concert (2023 Intercollegiate Taiko Invitational in Davis)
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Asian Crisis (Performing at Soy and Tofu Festival)
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Seishun Taiko (OCBC) - First Intercollegiate Taiko Invitational Concert
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Kyodo Taiko (UCLA) at 2023 Manzanar Pilgrimage
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Impromptu Taiko Set on Florin JACL Manzanar Pilgrimage
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Impromptu Taiko Set on Florin JACL Manzanar Pilgrimage
Hello Gregory, In response to your song "Floating Island (Original Song)," I wrote "Staying in the Center" as a dialogue. I don't expect it to resonate with you, but this dialogue felt like a natural discovery. These thoughts have been with me for years, and songwriting felt like the right way to express them. Here you go: Staying in the Center By FL 1-26-2025 [Verse 1] I used to wonder, far and wide, to distant times and lands, About the earth, the stars, the tides. When did it all begin, I'd ask, A mind floating, a ceaseless task. But now I've learned to stay right here and now, In the present, crystal clear. [Verse 2] A floating island, tales of old, Monkeys crossing oceans bold. A million years, a span so grand, But now I hold a different stand. The present moment, where I dwell, In its embrace, all things compel. [Verse 3] A winter’s day, the sunny outside, Inside the warmth, I did confide. Fell asleep on a cozy sofa's hold, In dreams I traveled, tales untold. But waking brings me back to see, The now, the here, my sanctuary. [Verse 4] The Earth's age shifts with every claim, Just like a changing software line for versions new, With each new study, a new name, a different point of view. Four billion, five billion, who's to truly say? So I choose to stay in the now, To center myself, this I vow. [Verse 5] If I wander, far and wide, to distant times and lands, In thoughts or dreams, or the great outside, I set a path well the anchor caught to return with grace, To the present, my sacred place. For here and now is where I find, The peace, the truth, the centered mind. (End)
Hi Frank! Thanks for sharing your lyrics. I appreciate your musical conversations. Last night I made a conversation piece using this set of lyrics. Hope you enjoy: ua-cam.com/video/uX-pEQFFzj4/v-deo.html
The similar song that I wrote to share my own realization, independent of your song. This is it: Turning Within for a Change By FL @ 1-25-2025 [verse 1] I heard an ancient sage once say, "As within so without, as above so below." For a long time, I didn't understand; But now I've learned to let my soul expand. I see now, The change begins within. [verse 2] One day, I learned to journey inside; Mapping what's within to what lies outside. Found they are mirroring, a truth profound; What I see out there, from within it's found. They reflect, a change inside, will change without. [chorus] They are mirroring, changes flow, From within to out, as above so below. Can't change my image in the mirror's view, But changing myself, changes my image anew. Every time I don't like what's without, I work on changing within, no doubt. [verse 3] No more waiting, no more despair, I go within and change the layers there. The world outside mirrors my soul, With each change inside, the world turns whole. I know now, The power lies within. [chorus] They are mirroring, changes flow, From within to out, as above so below. Can't change my image in the mirror's view, But changing myself, changes my image anew. Every time I don't like what's without, I work on changing within, no doubt. [bridge] So, no more complaints, no more idle wait, The key to change is introspective fate. The universe within, so vast and bright, Reflects outside in the world's light. [chorus] They are mirroring, changes flow, From within to out, as above so below. Can't change my image in the mirror's view, But changing myself, changes my image anew. Every time I don't like what's without, I work on changing within, no doubt.
I wrote this song in response to your song "Waiting for a Change." I hope you resonate with it. If you have any questions, please write another song to ask them, and I will respond with songs as I did this time. Additionally, this time, I wrote another similar song to share my own realization, independent of your song. Here you go: Change Begins Within By FL 1-25-2025 [Verse 1] I heard the ancient sages speak, Words that echoed, strong and deep, "As within, so without, you see, As above, so below, eternally. As the universe, so the soul," A truth that long escaped my control. [Verse 2] Like you, I watched the world outside, The cart behind the ox, where truth seemed to hide. The cheaters cheat, the foxes reign, And hope for change felt like a vain refrain. I was tired, just like you, Of waiting for a change, it's true. [Verse 3] But then I learned a different way, To turn my gaze from outward sway, To journey deep within my heart, And map the landscape, set apart. I saw the mirror there inside, Reflecting all the world outside. [Verse 4] The mirroring complete and clear, What changed within, appeared out here. And what shifted in the outer view, Reshaped the inner me anew. A constant dance, a flow so free, Between the inner and what others see. [Verse 5] In the mirror, I can’t adjust how my face looks, But I can simply add a smile to my face. I have a smiling face in the mirror. I can't change the one who stands in the mirror, Reflected there, within my hands. This simple truth, a guiding light, Illuminated my inner sight. [Verse 6] So when I see the world in pain, Or feel the sting of life's harsh rain, I don't just wait for things to mend, But turn within, and there begin. To work on me, to shift and grow, And watch the outer world then follow. [Verse 7] I understand your weary plea, The longing for a world set free. But let the change begin inside, Where true transformation can reside. No longer waiting, lost and weak, But finding power within to make the change we seek.
Hi again Frank. Just wanted to respond here too. I wanted to take you up on your challenge, but I used your lyrical response to "Floating Island," which I think had some overlapping themes. Here is my musical response: ua-cam.com/video/uX-pEQFFzj4/v-deo.html
2:30 I'm too short to reach my feet around :(. But slightly tucking my feet under the drum helps. Also, idfk if I'm doing something wrong, but my hip flexors burn while my core and legs don't struggle. Maybe my hip flexors are weak, or maybe I'm supporting myself in an odd way
I think it's totally fine if your feet can't get around the drum. This song is often played on pretty large drums. Just tucking them in and pinching the drum as a second contact point should be good. Haha, don't take my internet advice when it comes to your muscles (it's hard to "diagnose" from just the description), but if you're feeling in the hip flexor in a way that indicates use and not pain or injury, that's probably good. It seems the joke is always like "you must have strong abs" to play yatai, but I think it's some of the less glamours muscles like the hip flexor that are really important. Stretching and exercising these muscles can be helpful. I'm sure you know this, just a friendly reminder from one player to another to take care of your body! This was initially just a video for my team - I wasn't expecting a lot of people to use it online. I hope it's helpful, but it's not comprehensive. But most of all, hope you're having fun playing taiko!
Thank you so much 😭Trying to play a song with a metronome instead of the real backbeat is so much harder. Especially when I'm trying to practice improv with this backbeat
Oh, I'm so glad you found this useful! It was from an old project during the pandemic. I'm glad it's been helpful. Wishing you the best!
Randomly came up in my recommendations - what a fabulous video! Thank you for sharing. So much food...
Very nice feast. Looks delicious. My favorites out of what's shown are the sashimi and chicken karaage.
So sweet!! 🥁🧡🎷💙🎸💛🎹
Cool!
Magnetic Fields!!
Chill song, this vibe reminds me of Somewhere over the rainbow. Keep it up :3
Love it guys 🤙🏼
the video is about like 1% Shide 99% Taiko Players
I actually love listening to different interpretation of supposedly same piece and hearing differences in expression
thank you for sharing
Yeah, for sure! Really thanks to our friends for taking the videos - it wasn't something we had planned. But it's helpful for us as performers to be able to see different angles and the impressions they give. Suzuka's a great player and really was the motivation for me even competing this year. We have different styles and interpretations of the piece, as all the contestants did, but we actually also played this piece as a duet in performances leading up to the Taikai to get extra practice in. It's kind of fun how a piece can live like that.
Love this song. Didn't know that Kyodo danced to it this year at Manzanar. Thanks you for making and uploading the video.
Great video thank you
Great video and thanks for sharing. I was actually thinking about tackling this myself. Would you ming sharing where you got the black tacks that you hammered in around the drum?
Thank you! I have used tacks from the taiko manufacturers Miyamoto Unosuke Shoten (look for kaDON for US based affiliate) and from Asano Taiko. The tacks are called “byo” in Japanese if it helps with searching. It’s kind of a folk knowledge among taiko makers in the US that the most expensive part of the drum are actually the tacks. I’ve found this to be generally true in terms of raw cost. However, I think when you take into account treatment and time, the barrel itself may be more expensive. There are “furniture tacks” that people have historically used in the US, too, especially when it was not as easy to get the byo. These can be bought from hardware suppliers. They are often not black but can be painted black. These are sometimes cheaper options, but quality can vary. I’ve used these before, too, and they’ve work well but are often noticeable as a bit off. Best of luck with your project! There is a Facebook group called “Taiko Builders” that are pretty responsive to questions, too.
I’m a Japanese. I love this. Arigatou. Totemo great design. Arigatou.
I was two months old when my family went to Poston AZ so mercifully I was spared the struggles after. The loss of freedom was bad but worse was the loss of property, farms, businesses, and opportunities with young people foregoing an education to work on the farm to help their family. Shikataganai, gaman.
Why is the piece compulsory for Taiko Taikai?
It’s a division where we all play the same piece to be evaluated, though there’s room for interpretation. There’s another division for original compositions, too.
We lost the camera person at 9:20
what an auditory and visual treat... I too was there, but to be able to revisit via "playback" makes it even that more memorable Chieko with Ken supporting this performance was pure bliss. Chieko is a Master of these times
Pretty good demo video. There are a few subtleties that could be added. One of the hozonkai's published a handbook for playing Chichi Yatai Bayashi, and it has some great footnotes on the way the rhythms are played in the traditional piece. One of the really difficult and unusual twists is that the Ji Uchi beat (and taiko intro) are not played with even hits. The rhythm is more like "Doro Doko" or "Tere Teke" rather than "Doko Doko" & "Teke Teke." It is pretty tricky to play those parts that way. There are a few other inflections in the rhythms that are interesting when played as they describe in their notes.
Thanks for sharing that information! Yeah, there is a lot of subtlety to the music not captured here, particularly compared to the actual festival music. This video was made a while back for my team, but I really hope anyone wanting to learn will consider the original sources and also what meanings the song has when played outside that context, and how those meanings evolve. I'll keep an eye out for that handbook, and hope others will use more than this resource to learn!
:o Where could I find the handbook?
@@minalovescats5220 Hi, I am not sure the exact source of the handbook. A friend who played taiko with me lived in Japan, and knew people local to Chichibu. He got the handbook from a Hozonkai, which is all I know about the source. It has a brief description of the festival, a small diagram of the "Za dai" stand, and sheet music for the taiko & shimedaiko. The handbook was in Japanese, so if you find it, you will need to be able to translate the text.
Thank you for sharing❤
I started playing with Koshio Sensei's group in June and participated in this event, so I've been exposed to the piece and looked at it a bit on UA-cam. The algorithm, just this morning, led me to your video of the song being performed with turkeys. That made me think, "Hey, we just saw Kojima-san in Arizona! That's pretty cool!." Then, UA-cam showed me this video that you appear to have taken at AZ Matsuri. Had I commented on your Turkey video, it would have been redundant because you would have been like, "I know, I was there!" In future performances at this park, I think it would be worth seeing if we can get the Canadian Geese involved somehow.
Oh so crazy to have crossed paths! Looking forward to the Canadian Geese rendition. I really enjoyed the Koshio Gumi performances. I hope you keep enjoying taiko! Thanks for saying hi!
Nice video mate.
itu kulit apa ya
cow - sapi
Dari Indonesia tolong kirimkan videonya proses dari awal sampai akhir ok
Great explanation and tutorial! Thank you!! They had this dance this year at the festival and it looked like fun! I can practice now and hope to join in next year!
cool country jazz freestyle
add a steel drum setup. buck i love the bird calls ackaw
Ooh, that would sound good. Thank you!
@@gregory_wadai was drunk. just keep working you and you guys
Cool. 😎
Thank you for this! 😊
Thanks a lot. I like the way you divided into each step. It is easier for us to follow.
Thanks for filming Greg! The song title is actually "Encore Remix". See you at the taikai!
Thanks! I updated it. Looking forward to seeing you then!
Thanks for sharing
Right on! Good sounds all the way around. What brand uke are you using?
This is a Kohala KP-C Concert Ukulele. It's a relatively inexpensive model using a geared tuner, which works great. It's probably below a professional tier, but works for me! If you're going to perform live, though, maybe consider one with a pickup - borrowed one for a set last weekend and that was fun!
thank you for sharing your experience and traditions and specially all imperfections at the end of the video, i have a barrel sitting in back yard for over a year and was hesitant to start the process , it is going to be my first attempt and lack of confidence just prevented me from doing anything other than collecting tools and parts... i think i am ready to start having seen all imperfections that are still making for perfectly playable drums, Thank you.
I'm glad you found it useful - even if just to see that you don't need to be perfect to make something of value. Good luck with your first drum! I hope you find it rewarding and that the sound of the drum will make many people happy!
右腕を上げる時は真っ直ぐに伸ばすともっと良いですよ。
はいわかります!ありがとう〜
I appreciate the share of such instructive information as well as the way (point of view) this video has been shot (i would personally had lowered a bit more my camera to the drum)! Many Thanks !🙏 Greetings from Algeria 🇩🇿
Thanks for that feedback for the greetings! Love and peace to our friends worldwide! I’m about to teach this again, so that is helpful to me. Thanks so much!
Thank you! Very nice explanation. What does "Ei" mean? Does the whole song name have a special meaning behind it? Thank you / Natalie
Ei Ja Nai Ka (ええじゃないか) means "isn't it good?" I guess the "Ei" might be "ee" but it's kind of a regionalization of "Ii," I think. So "good." As a musical phrase, "eijanaika" references lyrics from Awa Odori, which in the full context is kind of like "So why not dance?" Eijanaika references a historical folk dance movement around the transition from the Edo to Meiji periods, in which working-class (farming class) populations had large and wild celebrations, despite resistance from the upper class. Contextually, in this song, I think it carries both a bit of joyful celebration and resistance/persistence connotations.
@@gregory_wada Gregory, thank you so much for details! So interesting. That will add even more charm to the song/dance whenever I see it performed, thanks to your explanation! You are very knowlegable, it's so cool. (How did you learn all that additional knowledge? Just through your taiko groups and senseis? Or did you study things by yourself? Like taiko history, songs roots, etc) PS: I also watched your video on composing in Garageband. Your piece is very nice! Some parts reminded me the 'vibe' of some Kodo songs, another part - something from African rhythms. It was interesting to experience that feeling. The world music is intertwined, I think, which is amazing :) /Natalie
@@JulyTotoro I've been going to San Jose Obon for about ten years now, which really let the song sink in over time. San Jose Taiko and the Betsuin bring out collegiate taiko teams every year, which I think is so great for bringing young players into these meaningful community spaces. I have had the privilege of learning from PJ and San Jose Taiko over the years, too. I took a deeper dive into this song and Bon music through personal study as part of protest work we did with Tsuru for Solidarity in 2020 - kind of following a vein of moving in community as a way to build solidarity and celebrate Asian American joy and belonging. My academic background is in Anthropology, and I'm interested in Ethnomusicology, as well. So kind of just the intersection of art, study, and life. Thank you for your interest! This video was initially for other participants at a protest we did, but I'm glad it has reached other audiences. I do want to uplift PJ as the author (and Yoko Fujimoto as the lyricist), though! I am indebted to them!
@@gregory_wada Gregory, I see! It makes sense. It's amazing how everything has connected in your life! It's great. I love how enriched the taiko community environment is in the U.S. I hear you - I also have and had great teachers, very grateful to them for skills and knowledge that I've learnt thanks to them. I share your feeling of appreciation and gratitude. Thank you again for making this video and for all the details! It's interesting and I already learned something new :) I found you through the Taiyo's Odaiko fundraiser. I'm glad I went to have a look. Maybe I need to say thank-you to Taiyo too :) Thank you! Maybe we will meet one day. It will be a pleasure to talk to you. Ethnomusicology sounds interesting! I will google more on it. I feel it might have something that I wanted to learn more about but just didn't know how that thing is called :) Thank you! :) / Natalie
@@JulyTotoro Haha, Taiyo and I played in college together, and we were roommates for a while. Yeah, likewise, it was nice to meet you. Thank you for saying hello from Australia. Wishing you the best on your journey, and hopefully we’ll cross paths again.
Thank you for the video! I have a chance to finally learn is as you explained the sequence so well :-D Thank you! /Natalie, AU
Great job! I liked your singing at the end. Thanks for teaching us how to do the dance and a little about the history :)
Thank you, Gregory. Love this so much!
Thank you!
Thanks for the video! Song is hard but really keen to learn. Cheers from Brisbane AU
This is so pretty! Where was this filmed?
It's a little bit east of Ikeda's in Davis. :)
Very very nice