Відео

The name is a joke reference to the second song from their 13 album, titled "God is dead?",

Thank you! Yes, Mozart is always great fun on classical guitar.

Fue su ingrediente secreto, el jazz :) Es cierto que hubiera sido un guitarrista de jazz fenomenal si siguiera el camino, y pudo mezclarlo con su estilo proto-metal; Faires wear Boots es un buen ejemplo: usa las octavas de Wes Montgomery y un acorde jazz en el riff principal, una mezcla fascinante!

Sabbath jamás ha dejado de tocar jazz que no encuentres el jazz en los discos posteriores es otro asunto, iommi se hizo a base de jazz con Django reinhard ,y blues ,mucho blues

classical bent?

@@koukouvania Think he is referring to the Mahavishnu Orchestra album made with the London Symphony Orchestra 1974 produced by George Martin entitled Apocalypse.

There's now a tab link in the description. Happy playing!

@@Tipoconsuguitarra Muchas gracias amigo, te lo agradezco!!!!!!

I'm in the middle of reading it. Couldn't agree with you more mate

I find it very slow reading because I'm constantly stopping and jumping to UA-cam. Some great finds came out of the book, which is written in excruciating but compelling detail.

For sure, and the way he blends some flamenco and Indian styles onto this album is ingenius, never a dull moment!

Amazing solo! I wasn’t aware of it, some great licks from “The Warning” in there. It’s not on my to-do list at the moment, but there’s a Symptom of the Universe tab in the pipeline, with the acoustic jazz-blues solo at the end, there’s also his Wicked World jazz solo jam from the Live at Last album, one of his best jazz solos; so many good solos from Tony!

Tipoconsuguitarra Aaaye!! Awesome, glad you liked it dude! Yeah iommi really knows his licks haha, yeah no worries! Doesn’t really matter what you upload, i always learn something from the Transcripts! :D

@@sotis1756 Cheers!

Thanks very much for your comment. I did try to find age appropriate photos of the great man, but this one was my favourite! There is an old photo of him playing alongside Gunter Hampel, certainly from before 1969 (prob. 68), I might include it as a thumbnail later. (There’s also a 27 second clip of them playing “Time is Now” from 1968, very short but cool!). Glad you enjoyed the music. I felt people should know more about John's Pre-Extrapolation work, so much variety to it.

@@Tipoconsuguitarra Someone linked your video on a Facebook JM group facebook.com/groups/7154255898 - I linked one of my favourite photos - probably '63 where he is posing with a Gretsch. I've seen the Hampel stuff - there are some longer audio recordings of that group, but sound quality is bad. It is certain that JM disappeared off the scene in early '68, went back up to his hometown and woodshedded for a few months. His intention was to play in a completely original style. When he returned he did the TWL session with Jack Bruce where he sounds like no one else. I suppose Extrapolation is part of that pre-Extrapolation work. It's when he goes to NY in 69 when his approach changes again.

@@wallacecollect Very interesting information, thanks. Again, amazing how he kept reinventing his musicality, like a phoenix, and after Extrapolation, his technique and vision goes beyond most guitarists’ possibilities. And again in the 80’s with his Synclavier phase; he offered something new every decade. I agree with the Jack Bruce comment, he was coming nicely to the boil around then, and Extrapolation was like the harvest of his experimentation the years previous. There’s also some good vocal music he had a part in; a highlight is “It’s Funny” (which later ended up on Extrapolation with a slight eastern vibe to it), which he recorded with Duffy Power on vocals around 1966, has a real 60’s London feel to it. Worth a listen!

Gracias por la buena onda, igualmente saludos.