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@@denizguneyozel4158 if you are a solo artist playing coffee shops the Headrush is great. It has everything you would need and more for that kind of gigging or similar interests. I actually just bought an HX Stomp again because I missed the FX and the flexibility as far as signal chain routing. Headrush has just come out with another update for their units which is great news. One of the things I had read about Headrush is that they did not update often. As far as the quality of FX, I plan on making another video when I actually get my stomp. It’s been a while since I’ve used one but from what I remember it was pretty awesome.

Ya I agree with the HX being a little menu heavy on the device itself. The software is really where the Helix kind of shines especially with scenes or snapshots. I have since moved on from the Headrush and went back to my Tonex since they added more FX blocks. I’m kind of waiting for something that’s the right price and has the features I want. The TMP is interesting but I can’t justify the price point… yet

Oh shit fuckin multiverse

Ya the QC is a great unit but it was a little overkill for what I need. There is definitely room for improvement with the Headrush Core but not enough of a difference to spend 1k more in my opinion.

Im in the same boat, have a Kemper Stage and a HR Core & Prime, and may sell the Kemper. These 2nd Gen HR products are so good, nothing really outclasses them, maybe a percent here & there, but they swing with the big boys.

@@brucesmusicvideos I can’t find the dimensions of the gigboard but I’m pretty sure the Core is larger. One more switch and more ins and outs.

Prime is too big for me. My needs were for live use so I needed something that could fit into a backpack and didn’t take up much space. I can create 8 scenes with my 4 switches and that’s more than enough for me. Honestly if I were to buy one of the bigger units I would consider the Line 6. More DSP, better signal routing.

@@二加二 I have not used an Ampero Stage. Ampero is definitely making some interesting stuff so hopefully I will be able to try.

I'm kinda same as you I honestly love the tones I get from the headrush products but there are several things that they would need to improve if they really want to really compete with the bigger sellers. I.e. - the midi implementation is very limited IMO - The lack of software editor - not being able to use transfer/USB audio modes simultaneously - the fixed signal paths - some of the amp or distortion models are bad

@@renelbp5335 Ya I didn’t cover MIDI but you are absolutely right. I was thinking as long as I can get everything I need from the pedal itself then I’m good with no MIDI implementation. Signal paths get an F minus haha. I will say that I have received a lot more compliments about how I sound. It’s weird how satisfied/ unsatisfied I am with this one.

@@renelbp5335 You've nailed what's wrong with the Headrush.

The HeadRush Amps sound outdated , the emperor stage or even the stomp 2 have better sounding amps etc..but use your own IR stuff in any of these boxes

Ya all of these units have their pros and cons. I have been through quite a few of them. I feel like if we keep voicing our opinions someone will eventually listen and will create a product that is closer to perfection. The Quad is amazing. I think the main reason I moved on from that unit was that a $1800 piece of equipment seemed like overkill for what I am doing. It sucks that no one from Headrush acknowledged your request. The Core has so many great features that it is frustrating that they just completely overlooked signal path flexibility.

@@sh4dda1musick11 We're on the same journey, I've had a Helix, Headrush Pedalboard, Fractal FM9T and now the QC, as far as I'm concerned they all sound great, it boils down to, configuration options, the operating system and user experience, (aka: joy!) to me.. the Headrush and QC are the most fun, the Helix kept running out of DSP, the Fractal is like configuring the bios of a 1985 windows PC, no fun at all.. but some people love them.. so what do I know. I got the QC used, so I'm only into for £900, I like that I can run a vocal path alongside the guitar and have DSP to spare.. miss those scribble strips though..

Headrush just released a new firmware for Prime/Core that offers two new combined signal,paths: 2 vocal blocks/12 guitar blocks and 4 vocal blocks/10 guitar blocks. Guess they are listening to users, they’re just not quick about it

@@scottbullard3479 2 years too late for me.. I bought a Quad Cortex 6 months ago, I kept the Pedalboard as a backup, I'd like to try a Prime but frankly having got used to 30 blocks on the QC it would feel like a backward step.

​@@MuckingAboutWith30 blocks? Seriously?

thanks!

Thanks a lot!

STL tones. This one is the 5153 amp sim. I think I put the bb preamp in front.

Yes I was. The cab is connected to my powerstation from the amp head. I had the powerstation going out to the cab and connected from the direct out into my QC. Were you having trouble monitoring through your cab?

@@sh4dda1musick11 I was getting weird noises prior to setting up. I do have my amps going through a KHE amp switch. I may try again tomorrow with that out of the equation

Got it, was not set up right last night. I slowed it all down and made my first capture. Didn’t put him into just wanted to see it work and it did. Thanks for the vid helped me know it can be done.

@@DJ33 glad I could help

@@sh4dda1musick11 thanks bud

Thanks!

Thank you!

Thanks!

That is a very good sign! Thanks a lot!

Thanks!

That is correct. I did not have to mic the cab when using the power station. The cab is only connected for monitoring purposes.

You could be right but when I put the capture into a preset it sounds exactly the same so it still works! I will look into what you said though. Thanks for looking out! Oh and I love that Jackson its my favorite one to play. Ive had USA made ones that I have not loved as much.

glad i could help