Відео

我知道林石城，劉德海都是著名演奏琵琶的高手，可好像都遺憾...

現在學琵琶多為女子，我這聽到的都是女的學，連過去做音樂的配樂師也推薦我學阮咸，我講不出口想學琵琶，不知何時可跨越心裏的障壁和別在意他人...我一聽到阮咸的音色就不愛，雖然彈起音色仍會吸引人，但明明國樂卻會連想到吉他，想到就不喜歡，而且沒古曲傳世，一首都沒有，還要移古琴曲，唉

韻味十足

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Why not take the time to include an informative video description above, so viewers around the world may learn more? In which year was this recorded, and is this an original piece or does it represent one of the regional schools of zheng playing?

Why not take the time to include an informative video description, so viewers around the world may learn more? In which city, and in which year, was this filmed? Is this the Teochew style of zheng playing?

A historic recording of "Fangzhi Mang"《纺织忙》(Busily Spinning and Weaving), a piece for solo guzheng (古筝, Chinese zither) composed in 1955 by the renowned Cantonese musician and composer Liu Tianyi (刘天一, 1910-1990). Performed by Liu Tianyi. Probably recorded in 1959. Liu is probably using a zheng with 18 metal strings in this recording. This piece, which is considered the first masterpiece for the guzheng composed after China's 1949 revolution, creatively imitates the rhythms and sounds of the looms and mechanical sewing machines used in a traditional weaving factory, as well as the joyful spirit of the female textile workers. According to guzheng player Zi Lan Liao, whose father knew and worked closely with Liu, Liu was very upset with young players for playing this piece too fast, saying that the music was written to imitate the sounds produced by ladies using old-style mechanical looms, which were heavy and comparatively slow to operate. If the music is played too fast, he said, it sounds as if the player is imitating a supersonic sewing machine. Liu was born in Taishan (台山市), Guangdong province, southern China, and also lived and worked in Hong Kong and Guangzhou. He was the second most important early gaohu (高胡, Cantonese fiddle) virtuoso after Lü Wencheng (吕文成, 1898-1981), following the senior musician's trail in building the tradition of Cantonese music through his fine playing as well as widely played compositions such as the famous gaohu solo piece "Niao Tou Lin"《鸟投林》(Birds Returning to the Forest). 《怀念高胡一代宗师--刘天一》第一集___广东音乐《鸟投林》《鱼游春水》 More information about Liu Tianyi: 刘天一（1910年10月21日－1990年6月3日），台山人，廣東音樂家、高胡演奏家、作曲家。 学生时代已通晓二弦、提琴、月琴等。后转学高胡，有“香港吕文成，广东刘天一”之说。 1931年参加广州著名音乐社团“素社”，任高胡领奏。曾随罗九香学習古筝。1940年移居澳门，任职於澳门国际酒店的粤曲艺团，1949年赴香港。1954年回广州，参加广东音乐研究组。 1954年从香港回广州参加革命工作，在广东省戏改会的广东音乐研究组工作；1956年广东民间乐团工作；1958年在广东音乐曲艺团工作，直至广州市恢复民间乐团负责筹备工作。1990年6月3日在广州逝世。 曾培养王国潼、王宜勤、崔金书、余其伟等胡琴演奏家。 擅长高胡、古筝，擅長演奏《鸟投林》、《春到田间》、《平湖秋月》和古筝曲《蕉窗夜雨》。其技術集各家之长，同時使用高胡及小提琴的演奏技法。 曾任广东省政协常委；中国文联第4届委员；中国音乐家协会第3届理事；广东省曲协副主席；广东音乐曲艺团副团长；广东民间音乐团团长；广东省文联第2届副主席、第3届名誉委员、中国音乐家协会广东分会第2、3届副主席、第4届顾问；广州市文联副主席；广东音乐研究会名誉会长、广州民间乐团团长等。 主要作品 高胡独奏 《鱼游春水》 《怀念》 高胡齊奏 《花市迎春》 古筝独奏 《纺织忙》 《塞上吟》 合奏 《放烟花》

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Very nice! Was this filmed in Guangxi, southern China?

老琵琶韻味特濃！

🎉🎉

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Is the title of this piece "San Liu Ban"《三六板》or "San Liu"《三六》? You list both titles.

Some Web pages list Xia Baochen's dates as 1902-1956 or 1903-1956, but you list them as 1901-1957. What can explain this discrepancy, and are there reliable sources that can settle the matter of this pipa master's correct years of birth and death?

有个问题哦，这个曲子的二重奏是现在编曲的，还是传下来的啊

Excellent

這一段比較難認， 只認到徐能強，王中山，許菱子😅

片中的都是元老級，盡量認出來， 有錯誤的請專人指出😅 1)，2)曹東扶，高山流水(河南) 5)郭鹰，秋思曲(潮州)，楊秀明琵琶伴奏 6)郭鹰，楊秀明 7)趙玉齋，花燈調(山東) 8)'，9)趙玉齋 10)曹正(河南)，楊秀明琵琶伴奏 11)曹正，自由花(河南)，楊秀明琵琶伴奏 12)曹正，上樓(河南) 13)趙登山，鐵馬吟 14)左起，趙登山，曹東扶，趙玉齋 15)孫文姸，海青拿天鵝(浙江) 16)曲雲，迷胡調(陜西) 17)曲雲，香山射鼓(陝西)，她本人作曲 54:33 54:35

老琵琶就是有傳統風味

有殺氣

You uploaded the same video to your channel twice?

Hao Yifan put nylon-wrapped steel strings on a Qing Dynasty pipa?

Hao Yifan put nylon-wrapped steel strings on a Qing Dynasty pipa?

Is it the "Zhang Bonian" pipa (“张伯年”琵琶) and is Hao Yifan using silk strings in this performance? If you take the time and care to add an informative video description above, everyone will be able to learn more.

Taking the time to add an informative video description above, which would describe exactly what "丝合钢弦琵琶" means, would be very helpful to all viewers around the world.

明顯地，音準問題未解決， 右手勾踢抹挑未練好

謝謝您的分享！

真是有古典味道，這才是中國文化！

太好❤

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謝謝上傳,有耳福,能聽到前輩真貴錄音

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Key: C diao

If this is one of the pieces from "Xiansuo Beikao," why don't you make that clear in the video description above, so everyone may learn more?

Recorded in 1984?

How does it differ from this video? v=yUIYORjjPVk

Including the date of recording in the video description above would be very helpful.

Including the date of recording in the video description above would be very helpful.

Liu seems to be tuned A♭-D♭-E♭-A♭ (rather than ADEA) in this recording.

Is Bai's pipa tuned GCDG in this recording?

Is Bai's pipa tuned GCDG in this recording?

Is Bai's pipa tuned GCDG in this recording?

The timbre is broad and warm, hardly resembling that of today's harsh and brittle-sounding pipa.

咦 是我眼拙 這圖片不是三弦嗎 ？

Lacking a date on the recording manifest, should we assume that this set of recordings was made sometime in the 1950s?

I never knew Lin Shicheng played the sanxian.

Key: E-flat diao (a little sharp) That's the same key Wei Zhongle used to play in.