Відео

No...this was a one sided promo disc...hence the colored vinyl. Thanks!!

Ashok...this video was created to highlight the colored vinyl Seeburg record...not the machine...I do have other videos that do highlight the machine. Thank you for your comments and for looking at my videos.

@@robyndaniels918 OK Sir

The hole in the center seems a lot bigger. From the way this thing works, one can appreciate why RCA put a big hole in the center of their 45s; it must have made it much easier to engineer jukeboxes.

This was a seperate system from jukeboxes manufactured by Seeburg for backgound music to be played at restaurants, stores and factories. The large holes were so no one could play 45's on them so the music content could be controlled and not replaced by employees wanting to hear their own kind of music. Google Seeburg 1000 and you'll find a great website that explains it all. Thanks!

Yes...send me an e-mail to aor@nova104.net

5:10 "To the Door of the Sun" (originally by Al Martino). ua-cam.com/video/KzZJCYTSl04/v-deo.html

I would love to but unfortunately I sold all my Industrial records a few years back...I may have some still in my archives...next time I'm out there I will look for you.

@@robyndaniels918 Let me know when you found the record in this video.

I think the first song is the Theme from S.W.A.T. The TV Series

@@robyndaniels918 OK! Can you upload the entire song on UA-cam?

e-mail me at aor@nova104.net for more info

0:00 is the beginning of The Hustle

5:10 "To the Door of the Sun" (originally by Al Martino). ua-cam.com/video/KzZJCYTSl04/v-deo.html

@@pcno2832 It could also be the "Alle porte del sole" by Gigliola Cinquetti too. ua-cam.com/video/SZBTPjQRo9g/v-deo.html

@@retroandrailways Yes, that sounds like the same song. Google could translate the title as "To the Gates of the Sun", but when I tried to run auto subtitles, it totally garbled them. It seems like the kind of song that would have been translated into many languages. Thanks! Now, I just want to figure out what's at 6:15. I know I've heard it before; sounds like something Neil Diamond, or someone like that, might have done around that time.

6:15 is "We Will Never Love Like This Again" originally done by Maureen McGovern.

What kind of cable did you make?

Do you have the record with the theme from SWAT on it?

@@titmouse-distribution no but it sounds nice :)

@@Fardemark IND-124 from RR-67 in my opinion is one of my favourite Seeburg 1000 records of all time.

@@titmouse-distribution I have IND-108 RR67 and IND-104 RR67

@@Fardemark At least you have two industrial records from RR-67.

I was in my early 20's

@@robyndaniels918 I'm 28 yrs old and my voice is still deepening. I can speak with multiple accents. Cajun accent, Southern accent, California accent, etc.

We now have a website with all these shows and more www.nova104.net spread the word.

The more I hear, the more I seem to prefer the mono versions of many recordings over the stereo versions. The mono versions seem 'purer', for lack of a better word.

​@@thespeez it's where their heart was when mixing and mastering these recordings, stereo was still quite pricey and considered something of a novelty from my research. listen to Piper at the Gates of Dawn in mono.. like hearing it for the first time all over again

motlencore89 I’m stuck on that now

My guess is more money...knew it wouldn't last and they could sell more replacements.

I know it's been two years but I had forgotten about this account...if you are still interested...I have one for sale.

Not sure what you mean...

Delilah, there are two reasons, why this wouldn't work. #1: After the pickup is a special equalizer, doing a high cut and a low boost. The low boost would be at the wrong frequency and the highcut would eleminate higher frequencies #2: When you would do it linear and apply the equalizer in post production, another issue is, the pickup can't get frequencies above 18 kHz, so this would discriminate to 9 kHz. So, the 96 kHz doesn't help. The only way would be using a cartridge for the CD4 quadro process and a shibate stylus - both are harder to get, than a record player with 16 rpm.

@@robfriedrich2822 there are other problems as well. the seeburg records are cut with narrow grooves so you must play them with a 1/2 mil stylus or the sound quality will suffer and the records will be damaged.. such a stylus is not very common these days. and, the records are mono, not stereo, so to get a really good sample you need a proper mono cartridge, something else that is not very common these days. i have a setup built around the mechanism of an old rim-drive 4-speed record player that can do 16-2/3rpm, a tonearm from a rega rp-1 turntable that i got from a friend who upgraded to a different tonearm, and a sumiko black pearl stereo cartridge that has a 1/2 mil stylus, connected to a technolink tc-778 riaa/78 preamp that allows switching between riaa equalization or an unaltered output. now... you would think that if you simply connect the left and right outputs of the stereo preamp together you would get a good-sounding mono output from it.. this has not been the case. the best results i have gotten were by connecting the preamp output to a benchmark media systems ifa-2 stereo-to-mono summing amplifier, then running that output into either a mono bogen pa amplifier connected to a single speaker or into a cheapo behringer mixing board with mono xlr inputs with the stereo outputs connected to a pc sound card input. both end results sound pretty good, but not perfect, certainly not even close to cd quality. and the seeburg records were definitely recorded using riaa equalization, they sound terrible without it. i don't think the behringer board is the problem because i have fed it other mono source material and had great results. i'm wondering if it's just some sort of resonant quality that is missing..... i am very tempted to try building a mono foam dml panel speaker with a pair of the dayton exciters mounted to a single foam panel, driving the daytons with a small stereo amp from the preamp output bypassing the benchmark preamp.

sound like to much work

IND-113 Place In Use 10-1-1971