#georgefaith #alvinranglin #loversrock #blackhistory #blackhistorymonth #blackhistorymatters #blackhistoryiseveryday #blackhistoryeveryday #blackhistorymoment
Tracklist
A1 Since I Met You Baby 0:00
A2 Something On Your Mind 4:41
A3 High School Dance 9:19
A4 Never Let Me Go 13:22
A5 Cry Me A River 17:23
B1 Daddy Is Home 21:01
B2 Great Pretender 26:01
B3 Cherry Pie 29:06
B4 Oh Donna 32:39
B5 This Is My Story 35:52
Companies, etc.
Manufactured By - GG Records Ltd.
Distributed By - GG Records Ltd.
Credits
Bass - Noel Lloyd Parks
Drums - Michael Richards
Horns - Junior Chin
Rhythm Guitar - Andy Bassford, Winston Bowen
Tenor Saxophone - Dean Fraser
Lead Guitar - Radcliffe Bryan
Organ - Winston Wright
Percussion - Uzziah Thompson
Piano - Gladstone Anderson
Produced by Alvin Ranglin
Arranged By - Winston Wright
Recorded by Soljie Hamilton
Mastered By - Cleveland McGlashan, Errol Bailey
Mixed By - Lancelot McKenzie
Special Thanks To - Errol Wander from GG's Records
About this album
George Faith’s 1982 album, “Since I Met You Baby”, released on the Hit GG’s record label and produced by Alvin Ranglin, gained less popularity than the 1981 album, “Every Home Should Have One”, done by Patti Austin, released on the Qwest record label and produced by Quincy Jones, for several reasons:
Marketing and Promotion: One of the key factors contributing to the difference in popularity between the two albums could be attributed to the marketing and promotion strategies employed by the respective record labels. Qwest, being a well-established label with a strong network and resources, might have had a more extensive promotional campaign for Patti Austin’s album, reaching a wider audience globally. On the other hand, Hit GG’s record label may not have had the same level of marketing reach or budget to promote George Faith’s album beyond Jamaica and the UK.
Industry Connections: Patti Austin’s godfather, Quincy Jones, is a highly influential figure in the music industry with a vast network of connections. His involvement in producing Austin’s album could have opened doors to more opportunities for exposure and collaborations with other renowned artists or industry professionals. In contrast, George Faith might not have had similar industry connections or backing that could have propelled his album to international success.
Genre and Audience Appeal: The genre and style of music on each album could also play a role in their respective levels of popularity. Patti Austin’s album, “Every Home Should Have One”, was well-received globally due to its blend of pop, R&B, and jazz elements that appealed to a broad audience. On the other hand, George Faith’s rhythm & blues / soul ballad album, “Since I Met You Baby”, may have had a more niche appeal primarily within lovers rock music enthusiasts in Jamaica and the UK, limiting its reach and commercial success on a global scale.
Timing and Competition: The timing of the release of an album can significantly impact its success. Patti Austin’s album was released in 1981, potentially benefiting from less competition or other major releases during that period. In contrast, George Faith’s album came out in 1982, facing stiffer competition from other popular artists and albums across various genres that might have overshadowed its visibility in the music market.
Distribution Channels: The availability and distribution of an album also play a crucial role in determining its reach and sales figures. If George Faith’s album was only limitedly distributed in Jamaica and the UK compared to Patti Austin’s worldwide distribution through Qwest records, this would naturally result in lower sales figures for Faith’s album.
In conclusion, a combination of factors such as marketing strategies, industry connections, genre appeal, timing of release, competition in the market, and distribution channels likely contributed to George Faith’s 1982 album gaining less popularity than Patti Austin’s 1981 album on a global scale.