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SIEHSTE FILM
Germany
Приєднався 4 лис 2015
ua-cam.com/channels/-4bXrh-CjLL1ROKlA5zw8w.html
Films || Documercials || Music Videos
The filmmaker Jonas Nellissen, who manages and produces the projects, is at the heart of Siehste Films. Together with his network of specialists such as cameramen and women, sound engineers, assistant directors and VFX artists who work as needed. Siehste Films started with music videos, which are still a passion today, but the documentary style is the center of our work. The Documentaries dealing with elementary questions of our coexistence and the shaping of our future. His stories remain sensitive and encounter the Protagonists with great respect and work through a subtle visual narrative.
Films || Documercials || Music Videos
The filmmaker Jonas Nellissen, who manages and produces the projects, is at the heart of Siehste Films. Together with his network of specialists such as cameramen and women, sound engineers, assistant directors and VFX artists who work as needed. Siehste Films started with music videos, which are still a passion today, but the documentary style is the center of our work. The Documentaries dealing with elementary questions of our coexistence and the shaping of our future. His stories remain sensitive and encounter the Protagonists with great respect and work through a subtle visual narrative.
Making a Documentary | VLOG 02 - KEEP GOING | "The Wind in her Hands"
This is the second Episode of a VLOG series about my process of making the documentary "The Wind in her Hands" (WT):
21-year-old Elena Sandera started windsurfing less than 4 years ago and has been trying hard to qualify for the Olympic Games in the new IQFoil class ever since. As the last chance gets closer and closer, a deeply repressed trauma catches up with her. The biggest battle is not with the sport itself, but with the sacrifices it demands and, above all, mental strength.
Let's discover the aspects of filmmaking and the incredible Story of Elena while it actually happens. Feel free to participate by asking questions or suggesting topics. It probably will have an influence on the next vlog.
Please subscribe this channel and consider becoming a supporter on Patreon:
www.patreon.com/jonasnellissen
Instagram:
jonas_n_siehste_film
Website:
www.videoproduktion-siehste-film.de/
21-year-old Elena Sandera started windsurfing less than 4 years ago and has been trying hard to qualify for the Olympic Games in the new IQFoil class ever since. As the last chance gets closer and closer, a deeply repressed trauma catches up with her. The biggest battle is not with the sport itself, but with the sacrifices it demands and, above all, mental strength.
Let's discover the aspects of filmmaking and the incredible Story of Elena while it actually happens. Feel free to participate by asking questions or suggesting topics. It probably will have an influence on the next vlog.
Please subscribe this channel and consider becoming a supporter on Patreon:
www.patreon.com/jonasnellissen
Instagram:
jonas_n_siehste_film
Website:
www.videoproduktion-siehste-film.de/
Переглядів: 1 622
Відео
Filmmaker Showreel 2024 - Jonas Nellissen
Переглядів 3998 місяців тому
Jonas Nellissen - Filmmaker www.siehstefilm.de Most of the shots were totally created by myself including postproduction. Some of them I only worked on Postproduction. Check out my channel and my new "Making a documentary" series. You can support my work on patreon: www.patreon.com/jonasnellissen
Making a Documentary | VLOG 01 - JUST START. | "The Wind in her Hands"
Переглядів 1,5 тис.8 місяців тому
This is the first Episode of a VLOG series about my process of making the documentary "The Wind in her Hands" (WT). Let's discover the aspects of filmmaking while actually doing it. Feel free to participate by asking questions or suggesting topics. It might have an influence on the next vlog. Please subscribe this channel and consider becoming a supporter on Patreon: www.patreon.com/jonasnellis...
Filmmaker Reel 2023 - Jonas Nellissen / Siehste Film
Переглядів 114Рік тому
www.videoproduktion-siehste-film.de/ Get an impression of my work as a director, cinematographer and also editor and colorist. Linkedin: de.linkedin.com/in/jonas-nellissen-6aa630160 Instagram: jonas_n_siehste_film When filming with our own Equipment we are using: Camera: Sony A7sIII Lenses: Sony 24mm F1.4, Sony 35mm F1.4, Sony 70-200mm F.4, Meike Cine 50mm T2.1, Helios 55mm Monit...
The Story Circle (by Dan Harmon) - not just another showreel
Переглядів 2813 роки тому
Dan Harmons Story Circle is a more simple Version of Joesph Campbells "Monomyth". You'll find each stage in every good story. This Video is not just another showreel. This video reflects the whole spectrum of our work. We`re telling visual stories. Stories of people with goals and messages. “A special effect without a story is a pretty boring thing.” ― George Lucas We love effects and dynamic e...
Sony A7s iii + Slog3 - AUTUMN WALK - A Cinematic footage test (35mm F1,4, Tiffen Black Pro Mist 1/8)
Переглядів 8 тис.3 роки тому
I just went for a walk with my wife and some friends and took my Sony A7s iii with me for some tests. I tested different framerates, different stabilizations, different Autofocus modes. All handheld. Graded with davinci resolve. Please note that UA-cam does not support 10-bit so it compress it to 8-bit. That's why you are seeing some artifacts in the sky for example. Equipment beeing used: Sony...
Video Production Showreel - SIEHSTE PRODUCTIONS 2020
Переглядів 2464 роки тому
www.videoproduktion-siehste-film.de/ Sie bekommen was Sie brauchen, wir machen was wir wollen. Ihre Geschichte und die Ihrer Produkte erzählt in authentischen Bildern und einer fesselnden und graubwürdigen Dramaturgie. Videos und ganze Kampagnen, die zu neuen Kunden und zu einer stärkeren Bindung führen. Wir erarbeiten für Sie eine Video Marketing Strategie, die Sie weiter bringt. Schauen Sie s...
SRI LANKA 2019 - A short introduction (Sony A7s ii, Cine2)
Переглядів 864 роки тому
This is a short film about a journey to Sri Lanka. I rarely filmed but took pictures all the time, which you can see on eyeem.com. I highly recommend to visit this beautiful island! I filmed with the Sony A7s ii on Cine2. 28mm F.2 and 16-35mm F.4
Denmark 2020 - Atomos Ninja V, Sony A7s ii, Tiffen Black Pro Mist Filter 1/8 - Test Footage
Переглядів 1,8 тис.4 роки тому
Recently we went to Denmark and took the Chance to test some new Equipment. We used: Atomos Ninja V Sony A7s ii 16-35mm F4 Tiffen Black Pro Mist Filter 1/8. We shot it in Slog2 and graded it with davinci resolve. Still it is 8bit because of the camera but definetely the Atomos Recorder gave us much more Depth in Colours as it is recording in 4:2:2. It allows us to do much more in post than with...
Love you style! How did you make the compass spinn?
@@k3lash174 thank you so much! The spinning was quite easy. We moved a magned around it under the table ;)
@@siehstefilm7695 Thanks, sounds easy but it gave a powerful effect. Keep up the good work!
@@k3lash174 thank you! It's out of the music video "At the side of it all" for the band Danube's Banks. Kind of an distopian narrative but positive.
ua-cam.com/video/__ZUuzwbC6w/v-deo.html
Nice! Thanks for sharing! When will the final documentary be ready?
Thank you so much! The final Film will definitely take some time. We're planning on march to start festival applications. The Festival circuit will take a year roughly. So only the patrons will be invited to screenings upfront ;) but till then you'll see some more vlogs like this going into many topics of filmmaking and this specific story.
Nice!
Thanks! :D
It's a vibe ,👌
Thanks! :)
😡 Promo>SM
What's up?
Like your way of filming from different angles & talking to the camera! Keep it up👏
Thanks so much! Will finish the 2nd soon hopefully.
I subscribed to your channel
Thank you so much Nick!
Hammer, bin hooked!
Das freut mich natürlich sehr! :)
Love it!!
Wow !
Beautiful work!
Great!!!
Now this is a showreel. I like the use of the Story Circle to create a narrative, not to mention the excellent footage, demonstration of camera movement, composition, lighting and editing.
Thank you so much!! We think most creators are just looking for effects and cool looking images but really need to improve their stories and dramaturgy. All the best from Hamburg
@@siehstefilm7695 All the best from Australia! Have a great week.
Beautiful grading. Not too harsh or overdone, no stupid teal and orange, just vibrant colours, good contrast and highlight/shadow detail.
This video is amazing, but the fact that you are using one of my favourite lens...subbed and liked!
Awesome work! May I ask how you set details in your video settings while using the tiffen filter? Most people recommend reducing details to -7 and add sharpening in post, how does it work with diffusion filters on ?
Thank you! Yes i also keep the Details at -7 when shooting with slog. And I think it's not even enough especially when using the native Sony lenses which are very sharp. So one more good thing about the diffusion filter is it takes away some of that digital sharpness. No problem to sharpen it in post if you want to achieve a more cinematic creamy look than absolute sharpness.
nice luts,how can i get?
Hi Luqman, there are no LUTs beeing used and it wasn't my intention to create LUTs but to show the capabilities of that specific rig. All the best
Beautiful work. I am a fellow A7S3 user but I've been editing in FCP. I want to switch to resolve to grade but worry it's going to get so complicated for archiving projects if I continue to still use FCP for cutting, organization, and processing the final project. Can you do all aspects of editing in DaVinci Resolve directly? Or have you had experience using multiple editing software seamlessly? Finally, also, which glow effect do you use or is it just called glow effect? Loving this.
Hi Matthew, thanks for sharing your thoughts on this. I switched from premiere to resolve completely. Sometimes there were problems with editing in premiere and grading with davinci. Why switching the software when you can do everything with one of them. I needed some time to adjust to the editing in resolve but it's fantastic. Of course you can define your own shortcuts and it is so much easier to do everything with one software. Especially when it comes to corrections for customer. Also audio mixing is so much better than with premiere. The glow effect is included in the studio version and is a powerful tool but the pro mist filter is creating some of the glowing in the highlights as well right in camera. Is that helpful for you?
@@siehstefilm7695 100% thanks so much.
one more question. When you are applying the LOG3 LUT built in Davnici Resolve. With that work flow do you need to overexpose by 2 stops (ETTR) like a lot of other LUTS out there (eg. Leeming LUT), or can you just expose right at 0.00?
@@MatthewChenDirector Hi Matthew, sometimes I don't apply the conversion lut at all but in this case on the third note. After noise reduction and a correction note (exposure and White balance). The conversion lut wants you to expose middle grey at 55% I think. That could even mean to underexpose the shot depending on your subject and the surrounding. But I am overexposing the shot up to 2 stops depending on the shot and the subject to reduce the slog noise. That's why I do corrections before the conversion lut. Sometimes it's better to not use it at all for having more options after applying the conversion depending on where you convert to. Usually rec 709. Often I try to open up the shot a little after the conversion. But of course the conversion makes things much easier. Is that similar to your workflow in fcp?
@@siehstefilm7695 yes very similar. I am currently using a LUT from Paul Leeming, which requires you to overexpose quite significantly as it darkens the image considerably once applied. I noticed that the built in LUT from Resolve does not darken the image but just adds back the color and contrast ... this seems to be very nice. Of course I understand you could still over expose a bit (using aperture not ISO), so that you can reduce noise further but that's good practice independent of LUT behaviour.
What iso did you use throughout the video
Hi, I'm not sure. I probably were staying at 1600 while using the VND but roughly everything under 3200 (or a little more) is fine with me depending on the light conditions but no later then 6400 i would prefer 12800 as the sony a7s iii is a "dual iso" camera. Is that helpful?
Great brother.
I just watched a film🔥🔥🔥
These colors are top notch! What LUT(s) are you using for grading? I'm just using the basic Sony slog3 to rec709 LUT and I don't get anything as beautiful as this!
Thanks Nick! I am also using the conversion to rec709 but no other LUT. What often gives me beautiful colors and a great look is to use the glow effect in davinci resolve at the very end before I have my last node for grain. You also could try the film emulation luts but take the gain down a lot.
My dream Combo of a setup lol
Is this 8bit 422?
Yes it is
good job, bruda
Very nice video but... Sony 35mm 1.4 GM? 🤔
You're absolutely right! That GM would have been the 24mm. Of course it's the ZA Zeiss Distagon. Sorry for that mistake!
Great video. What is the song name?
Thanks man! Sorry I didn't put that in to the description. It's "this could be" By Joel Ansett licensed via artlist.
Nice! How was slog to edit on the computer? Works it without proxy files?
Hi Jodok, slog is not the problem here but the codec. H.264 is not the easiest for a PC but H.265 would have been worse. You could work with proxies or format to prores. as I am using DaVinci resolve I just created optimized media files.
use 4K to record videos
Hi Aleksei, that's exactly what happened but thanks for your advice anyway
Nice
Thanks!