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Audio Score
Приєднався 21 жов 2011
Jesus é o caminho, a verdade e a vida
Jesus is the way, the truth and the life
Iesus est via, veritas et vita
Jesus is the way, the truth and the life
Iesus est via, veritas et vita
Відео
The Incredible Nameless Song !
Переглядів 1154 роки тому
When lack of creativity hits you, but you still got to keep your sense of humour !
Fugueta in A major - Jesus Cristo Salvador
Переглядів 1655 років тому
Fugueta in A major - Jesus Cristo Salvador
The piano that wanted to be a harpsichord
Переглядів 1815 років тому
The piano that wanted to be a harpsichord
one of his best works
Joplin was brilliant in this notation and sound of a train collision many years before Meade Lux Lewis gave the world his wonderful Honky Tonk Train Blues. You seem to know trains are the subject with the music of both composers. Best Wishes from Chester, England.
Criminally underrated
3:12
2:49
2:48
ㅊ
1번과 비슷하면서도 다른 느낌이 있네 너무멋있따
Liszt composed this when he was 69 years old.
fire
just finished. actually beautiful.
Spirited performance Ok. The piece itself: Top marks for atmospheric, creepy weirdness but sadly, curiosity value only. I can't see this becoming main-stream repetoire
Si tu viens après avoir vu la dernière vidéo d'astronogeek, like ce commentaire.
6:42 this is so epic
A lot of people criticise Ervin Nyiregyházi very harshly for his rendition of Liszt Ferenc's Mephisto Waltz No. 2 but I think that one is so much better.
This was one of Joplin's first piano pieces published not a rag but still a really piece Joplin was truly Master of melody
I came here from "Well There's Your Problem" Podcast. We should bring back staged railroad collisions
0:04 - 9:48
8:18
Funny story about this song. Apparently it was inspired by an event in where two trains were purposely collided. It was called Crush Texas. Some people died. The lead reporter lost an eye, the organizer was fired. However the event was so popular, the railroad company rehired the guy. This occurred in the 1890's. Train collision attractions remaind popular until the 1930's. Source: the history guy did a video on it.
That's correct 👍
Was this written before or after the disaster?
Ragtime composer Scott Joplin, who was performing in the region at the time, composed a piano piece he called the "Great Crush Collision March" to commemorate the crash; the composition was dedicated to the Missouri-Kansas-Texas Railway. It was copyrighted on October 15, 1896, a month after the event.[15] The piece was notable because it included instructions in the score for how to replicate the sounds of the trains' collision through playing techniques, specific notes, and the use of dynamics. en.m.wikipedia.org/wiki/Crash_at_Crush
It was inspired by the event on texas
@@dakotasmith6946 Yeah thanks I know
Another beautiful piece from this great composer.
I just played this song on the dream piano app and I was thrown off guard for a good two seconds when I was playing the "trains" and "collision" part. But then I started smiling a lot afterwards because it sounded funny to me. 5/4/23
Good peice not up to par with the first
Even his earliest pieces are outstanding. What an awesome composition by Joplin !
07:08 is something else
2:31, 4:21
The last 3 mephisto waltzes are so uninspired compared to the first.
I'd say quite the opposite actually. His first one feels overly showy, you know what I mean, right? The rest of the three, despite being less difficult, are more harmonically forward-looking. This piece begins on C# minor but in the natural form, which is generally ignored. Then it moves to D Major, Eb Major, etc. It's pretty chromatic. Not to mention that the theme is actually quite... Let's just say, catchy.
the four hands version is masterpiece
Waouh, wonderful channel. I subscribe with pleasure. 😍
The end is almost the Dante sonata
ENDS ON A TRITONE
Thank you for the video!
Would it be ok if I used this audio as background music for my videos if I link to this video onscreen at the end of the video?
Yes, I think it is OK !
I know this is a bit late, but I think the song is copyrighted so be careful of that
It's like a sequel to Mephisto Polka! if you combine these 2 pieces, she will remove the awkward F at the end of the polka
You‘re on to something
The f at the end of the Mephisto polka is pretty nice
Great piece, one of his earliest. Very clever. The train whistle made me laugh, as I just finished arranging a piece about a train calle"City of New Orleans" where I imitated a train fading out in the distance at the end. :)
Words do not describe how much i love the mephistos liszt made
Play this at 1.75 speed. Sounds epico.
9:58 I’m scared….
Foarte frumos -Un izvor fermecat !!!In mijlocul unui peisaj din care apar fel de fel de minuni feerice!!!
Oh yes! a waltz in 4/4
Ah yes 😂
Which is the mephisto quality for the performer. Its also highly syncopated. Definitely for the ballet rather than the ballroom.
<3
Good stuff
I found this from a meme of the actor of Trevor playing a broken piano
the pediling is just so hard if u play fast
Am I the only one that finds this slightly creepy?
No, this is creepy. Stabat mater is a very meaningful and sorrowful theme for music, it even involves religious and spiritual aspects. The idea of conscience-less and emotion-less machines perfoming such dense piece is very contrastant, maybe that is why we find it to be creepy. what do you think?
@@renan1033zinho yes, for sure this is a reason, but it is also the distorted pronunciation of Latin that makes it really creepy. The counterpoint, still beautiful and pleasing, is contrasted by these two unnatural elements: the one that you pointed out and the pronunciation. By the way you did a very impressive job with this
My favorite meogisot waltze 🥰
i literally searched up meogisot and realised it was a typo, impressively bad lol
Amazing!
Indeed !
New information: this highly interesting album is also on Spotify!
Mesmerizing. Is the sheet music available for download?
Liszt must have played some random notes in a musical (not actually) sequence
It's ignorant of you to say that but, I get you. His later music feels random, especially if you're not well-versed in music theory. But once you do understand them, it's quite rewarding. Remember, Liszt was actually a man with depth, quite a lot of it actually. He was not just some indulgent, uninspired child prodigy. That depth grew, along with his style. He helped in bringing about the Impressionist era. Also, he was actually quite depressed during his last few years. You can't expect him to compose virtuosic, triumphant pieces in that state. Besides, this piece is not even that hard to understand! It has a form! It has emotional meaning! Not to mention it's still catchy af, like his earlier pieces.
I like this